TANGOWIKI-TITAF - User contributions [en-gb]

TITAF-T-0024187

2026-05-26T14:11:25Z

Donxello:

{{Tune
|TuneName=Sentimiento gaucho
|Composer=TITAF-P-9122684;;TITAF-P-7481495
|Lyricist=TITAF-P-9958496
|Genre=Tango
}}
[[Category:Tune]]<noinclude>{{DISPLAYTITLE:Sentimiento gaucho}}</noinclude>

TITAF-T-0000654

2025-11-11T16:52:30Z

Donxello:

{{Tune
|TuneName=Shusheta
|Name_alt=El aristócrata
|Composer=TITAF-P-7366241
|Lyricist=TITAF-P-8403637
|Genre=Tango
}}
[[Category:Tune]]<noinclude>{{DISPLAYTITLE:Shusheta}}</noinclude>

TITAF-T-0016285

2025-11-11T16:47:10Z

Donxello:

{{Tune
|TuneName=Mentira
|Name_alt=Mentiras
|Composer=TITAF-P-9102271
|Lyricist=TITAF-P-5521437
|Genre=Tango
}}
[[Category:Tune]]<noinclude>{{DISPLAYTITLE:Mentira}}</noinclude>

TITAF-T-0008580

2025-11-11T15:59:08Z

Donxello:

{{Tune
|TuneName=Pobre gallo Bataraz
|Composer=TITAF-P-3382958
|Lyricist=TITAF-P-5521437
|Genre=Tango
}}
[[Category:Tune]]<noinclude>{{DISPLAYTITLE:Pobre gallo Bataraz}}</noinclude>

TITAF-T-0008580

2025-11-11T15:58:36Z

Donxello:

{{Tune
|TuneName=Pobre gallo Bataraz
|Composer=TITAF-P-3382958
|Lyricist=TITAF-P-5521437
}}
[[Category:Tune]]<noinclude>{{DISPLAYTITLE:Pobre gallo Bataraz}}</noinclude>

TITAF-T-0008580

2025-11-11T15:56:51Z

Donxello:

{{Tune
|TuneName=Pobre gallo Bataraz
|Composer=Pedro Maffia (TITAF-P-3382958)
|Lyricist=Celedonio Flores (TITAF-P-5521437)
|Genre=Estilo, Tango
}}
[[Category:Tune]]<noinclude>{{DISPLAYTITLE:Pobre gallo Bataraz}}</noinclude>

TITAF-T-0016257

2025-11-10T15:25:18Z

Donxello:

{{Tune
|TuneName=Notas de bandoneón
|Composer=TITAF-P-2429069;; TITAF-P-7566549
|Lyricist=TITAF-P-8403637
|Genre=Tango
|Tune_altsearch=notas de bandoneon
}}
[[Category:Tune]]<noinclude>{{DISPLAYTITLE:Notas de bandoneón}}</noinclude>

TITAF-T-0016257

2025-11-10T15:23:08Z

Donxello:

{{Tune
|TuneName=Notas de bandoneón
|Composer=TITAF-P-2429069
|Lyricist=TITAF-P-8403637;; TITAF-P-7566549
|Genre=Tango
|Tune_altsearch=notas de bandoneon
}}
[[Category:Tune]]<noinclude>{{DISPLAYTITLE:Notas de bandoneón}}</noinclude>

TITAF-T-0015761

2025-11-10T13:04:35Z

Donxello:

{{Tune
|TuneName=Caricias
|Composer=TITAF-P-8248276
|Lyricist=TITAF-P-9958496
|Genre=Tango
}}
[[Category:Tune]]<noinclude>{{DISPLAYTITLE:Caricias}}</noinclude>

TITAF-T-0021350

2025-11-09T14:07:42Z

Donxello:

{{Tune
|TuneName=Destellos
|Composer=TITAF-P-7481495
|Lyricist=TITAF-P-9958496
|Genre=Tango
}}
[[Category:Tune]]<noinclude>{{DISPLAYTITLE:Destellos}}</noinclude>

TITAF-T-0021350

2025-11-09T14:07:04Z

Donxello:

{{Tune
|TuneName=Destellos
|Genre=Tango
}}
[[Category:Tune]]<noinclude>{{DISPLAYTITLE:Destellos}}</noinclude>

TITAF-T-0021350

2025-11-09T14:06:09Z

Donxello:

{{Tune
|TuneName=Destellos
|Composer=Francisco Canaro (TITAF-P-7481495)
|Lyricist=TITAF-P-9958496
|Genre=Tango
}}
[[Category:Tune]]<noinclude>{{DISPLAYTITLE:Destellos}}</noinclude>

TITAF-P-7100675

2025-08-23T16:29:51Z

Donxello:

{{Person
|PersonName=Iván Diez
|Name_real=Augusto Arturo Martini
|Pseudonyms-nicknames=Antonio Timarni
|genderLabel=male
|birthDate=1897-08-16
|deathDate=1960-11-08
|birthPlaceLabel=Mar del Plata, Buenos Aires
|birthPlaceCountryLabel=Argentina
|citizenshipLabel=Argentina
|Occupation=journalist;;autor;;lyricist
|wikidataID=Q5923434
|Todotango_links=https://www.todotango.com/creadores/ficha/455/Ivan-Diez
|instanceOf=human
}}
[[Category:TangoPeople]]
<noinclude>{{DISPLAYTITLE:Iván Diez}}</noinclude>

https://www.todotango.com/creadores/biografia/1027/Ivan-Diez/

TITAF-P-1143930

2025-08-23T16:28:55Z

Donxello:

{{Person
|PersonName=Antonio Polito
|Name_real=Antonio Polito
|Pseudonyms-nicknames=A. Timarni
[https://tangowiki.titaf.org/wiki/TITAF-P-7100675]
|genderLabel=male
|birthDate=1898-05-31
|deathDate=1958-08-18
|birthPlaceLabel=Buenos Aires, Buenos Aires
|birthPlaceCountryLabel=Argentina
|Occupation=pianist;;lyricist;;composer
|instrument=piano
|wikidataID=Q62602891
|Todotango_links=https://www.todotango.com/creadores/ficha/99/Antonio-Polito
|instanceOf=human
}}
[[Category:TangoPeople]]
<noinclude>{{DISPLAYTITLE:Antonio Polito}}</noinclude>

TITAF-P-7100675

2025-08-23T16:27:12Z

Donxello:

Form:Recording

2025-06-23T07:36:58Z

Donxello:

<noinclude>This is the form for adding a new recording.</noinclude>
<includeonly>
{{{info
|page name={{#invoke:GenerateID|recordingID}}
|create only
}}}

{{{for template|Recording}}}
{| class="formtable"
! Musical Group (TITAF-G-xxxxx):
| {{{field|MusicalGroup|input type=tokens|values from category=MusicalGroups}}}
|-
! Accompaniment (free text):
| {{{field|AccompanimentFree|input type=text|placeholder=2 guitars, solo piano, etc.}}}
|-
! Structured Accompaniment:
| {{{field|AccompanimentStructured|input type=tokens|values from namespace=Main|placeholder=name of orchestra leader if not his own, the name of the accomp. guitarists...}}}
|-
! Singer(s):
| {{{field|Singer|input type=tokens|values from namespace=Main|delimiter=;;}}}
|-
! Recording Date:
| {{{field|RecDate|input type=date}}}
|-
! Label:
| {{{field|Label|input type=text}}}
|-
! Disc Type:
| {{{field|DiscType|input type=dropdown|values=Shellac,Tape,Vinyl}}}
|-
! Disco No:
| {{{field|DiscoNo|input type=text}}}
|-
! Matrix No:
| {{{field|MatrixNo|input type=text}}}
|-
! Side:
| {{{field|Side|input type=text}}}
|-
! Audio File Name:
| {{{field|Soundfile|input type=text}}}
|-
! Related Tune (TITAF-T-xxxxx):
| {{{field|RelatedTuneID|input type=text|readonly}}}
|-
! Arranger(s):
| {{{field|Arranger|input type=tokens|values from namespace=Main|delimiter=;;}}}
|-
! Remarks:
| {{{field|Remarks|input type=textarea|rows=5|cols=50}}}
|-
{{{standard input|save}}} {{{standard input|cancel}}}
|}
{{{end template}}}

</includeonly>

Form:Recording

2025-06-23T07:36:01Z

Donxello:

<noinclude>This is the form for adding a new recording.</noinclude>
<includeonly>
{{{info
|page name={{#invoke:GenerateID|recordingID}}
|create only
}}}

{{{for template|Recording}}}
{| class="formtable"
! Musical Group (TITAF-G-xxxxx):
| {{{field|MusicalGroup|input type=tokens|values from category=MusicalGroups}}}
|-
! Accompaniment (free text):
| {{{field|AccompanimentFree|input type=text|placeholder=2 guitars, solo piano, etc.}}}
|-
! Structured Accompaniment:
| {{{field|AccompanimentStructured|input type=tokens|values from namespace=Main|placeholder=name of orchestra leader, the guitarists...}}}
|-
! Singer(s):
| {{{field|Singer|input type=tokens|values from namespace=Main|delimiter=;;}}}
|-
! Recording Date:
| {{{field|RecDate|input type=date}}}
|-
! Label:
| {{{field|Label|input type=text}}}
|-
! Disc Type:
| {{{field|DiscType|input type=dropdown|values=Shellac,Tape,Vinyl}}}
|-
! Disco No:
| {{{field|DiscoNo|input type=text}}}
|-
! Matrix No:
| {{{field|MatrixNo|input type=text}}}
|-
! Side:
| {{{field|Side|input type=text}}}
|-
! Audio File Name:
| {{{field|Soundfile|input type=text}}}
|-
! Related Tune (TITAF-T-xxxxx):
| {{{field|RelatedTuneID|input type=text|readonly}}}
|-
! Arranger(s):
| {{{field|Arranger|input type=tokens|values from namespace=Main|delimiter=;;}}}
|-
! Remarks:
| {{{field|Remarks|input type=textarea|rows=5|cols=50}}}
|-
{{{standard input|save}}} {{{standard input|cancel}}}
|}
{{{end template}}}

</includeonly>

Form:Recording

2025-06-23T07:34:03Z

Donxello:

<noinclude>This is the form for adding a new recording.</noinclude>
<includeonly>
{{{info
|page name={{#invoke:GenerateID|recordingID}}
|create only
}}}

{{{for template|Recording}}}
{| class="formtable"
! Musical Group (TITAF-G-xxxxx):
| {{{field|MusicalGroup|input type=tokens|values from category=MusicalGroups}}}
|-
! Accompaniment (free text):
| {{{field|AccompanimentFree|input type=text|placeholder=2 guitars, solo piano, etc.}}}
|-
! Structured Accompaniment:
| {{{field|AccompanimentStructured|input type=tokens|values from namespace=Main}}}
|-
! Singer(s):
| {{{field|Singer|input type=tokens|values from namespace=Main|delimiter=;;}}}
|-
! Recording Date:
| {{{field|RecDate|input type=date}}}
|-
! Label:
| {{{field|Label|input type=text}}}
|-
! Disc Type:
| {{{field|DiscType|input type=dropdown|values=Shellac,Tape,Vinyl}}}
|-
! Disco No:
| {{{field|DiscoNo|input type=text}}}
|-
! Matrix No:
| {{{field|MatrixNo|input type=text}}}
|-
! Side:
| {{{field|Side|input type=text}}}
|-
! Audio File Name:
| {{{field|Soundfile|input type=text}}}
|-
! Related Tune (TITAF-T-xxxxx):
| {{{field|RelatedTuneID|input type=text|readonly}}}
|-
! Arranger(s):
| {{{field|Arranger|input type=tokens|values from namespace=Main|delimiter=;;}}}
|-
! Remarks:
| {{{field|Remarks|input type=textarea|rows=5|cols=50}}}
|-
{{{standard input|save}}} {{{standard input|cancel}}}
|}
{{{end template}}}

</includeonly>

Template:Recording

2025-06-23T07:31:03Z

Donxello:

<includeonly>
{{#default_form:Recording}}

{{#set:
|RecordingMusicalGroup={{{MusicalGroup|}}}
|RecordingAccompanimentFree={{{AccompanimentFree|}}}
|RecordingArranger={{{Arranger|}}}
|RecordingRecDate={{{RecDate|}}}
|RecordingLabel={{{Label|}}}
|RecordingDiscType={{{DiscType|}}}
|RecordingDiscoNo={{{DiscoNo|}}}
|RecordingMatrixNo={{{MatrixNo|}}}
|RecordingSide={{{Side|}}}
|RecordingSoundfile={{{Soundfile|}}}
|RecordingRelatedTuneID={{{RelatedTuneID|}}}
|RecordingRemarks={{{Remarks|}}}
}}

<span style="display:none">
{{#arraymap:{{{Singer|}}}|;;|@@@|[[RecordingSinger::@@@]]|\s}}
{{#arraymap:{{{AccompanimentStructured|}}}|;;|@@@|[[RecordingAccompanimentStructured::@@@]]|\s}}
</span>

== Recording ==
* Musical Group: [[{{{MusicalGroup}}}]]
* Singer(s): {{{Singer}}}
* Recording Date: {{{RecDate}}}
* Label: {{{Label}}}
* Tune: [[{{{RelatedTuneID}}}]]

[[Category:Recording]]
</includeonly>
<noinclude>[[Category:RecordingClass]]</noinclude>

Template:Recording

2025-06-23T06:08:16Z

Donxello:

<includeonly>
{{#default_form:Recording}}

{{#set:
|RecordingMusicalGroup={{{MusicalGroup|}}}
|RecordingAccompanimentFree={{{AccompanimentFree|}}}
|RecordingArranger={{{Arranger|}}}
|RecordingRecDate={{{RecDate|}}}
|RecordingLabel={{{Label|}}}
|RecordingDiscType={{{DiscType|}}}
|RecordingDiscoNo={{{DiscoNo|}}}
|RecordingMatrixNo={{{MatrixNo|}}}
|RecordingSide={{{Side|}}}
|RecordingSoundfile={{{Soundfile|}}}
|RecordingRelatedTuneID={{{RelatedTuneID|}}}
}}

<span style="display:none">
{{#arraymap:{{{Singer|}}}|;;|@@@|[[RecordingSinger::@@@]]|\s}}
{{#arraymap:{{{AccompanimentStructured|}}}|;;|@@@|[[RecordingAccompanimentStructured::@@@]]|\s}}
</span>

== Recording ==
* Musical Group: [[{{{MusicalGroup}}}]]
* Singer(s): {{{Singer}}}
* Recording Date: {{{RecDate}}}
* Label: {{{Label}}}
* Tune: [[{{{RelatedTuneID}}}]]

[[Category:Recording]]
</includeonly>
<noinclude>[[Category:RecordingClass]]</noinclude>

Form:Recording

2025-06-23T06:06:24Z

Donxello:

<noinclude>This is the form for adding a new recording.</noinclude>
<includeonly>
{{{info
|page name={{#invoke:GenerateID|recordingID}}
|create only
}}}

{{{for template|Recording}}}
{| class="formtable"
! Musical Group (TITAF-G-xxxxx):
| {{{field|MusicalGroup|input type=tokens|values from category=MusicalGroups}}}
|-
! Accompaniment (free text):
| {{{field|AccompanimentFree|input type=text|placeholder=2 guitars, solo piano, etc.}}}
|-
! Structured Accompaniment:
| {{{field|AccompanimentStructured|input type=tokens|values from namespace=Main}}}
|-
! Singer(s):
| {{{field|Singer|input type=tokens|values from namespace=Main|delimiter=;;}}}
|-
! Recording Date:
| {{{field|RecDate|input type=date}}}
|-
! Label:
| {{{field|Label|input type=text}}}
|-
! Disc Type:
| {{{field|DiscType|input type=dropdown|values=Shellac,Tape,Vinyl}}}
|-
! Disco No:
| {{{field|DiscoNo|input type=text}}}
|-
! Matrix No:
| {{{field|MatrixNo|input type=text}}}
|-
! Side:
| {{{field|Side|input type=text}}}
|-
! Audio File Name:
| {{{field|Soundfile|input type=text}}}
|-
! Related Tune (TITAF-T-xxxxx):
| {{{field|RelatedTuneID|input type=text|readonly}}}
|-
! Arranger(s):
| {{{field|Arranger|input type=tokens|values from namespace=Main|delimiter=;;}}}
|-
{{{standard input|save}}} {{{standard input|cancel}}}
|}
{{{end template}}}

</includeonly>

Form:Recording

2025-06-23T05:55:00Z

Donxello:

<noinclude>This is the form for adding a new recording.</noinclude>
<includeonly>
{{{info
|page name={{#invoke:GenerateID|recordingID}}
|create only
}}}

{{{for template|Recording}}}
{| class="formtable"
! Orchestra (TITAF-G-xxxxx):
| {{{field|OrchestraLeader|input type=tokens|values from category=MusicalGroups}}}
|-
! Accompaniment (free text):
| {{{field|AccompanimentFree|input type=text|placeholder=2 guitars, solo piano, etc.}}}
|-
! Structured Accompaniment:
| {{{field|AccompanimentStructured|input type=tokens|values from namespace=Main}}}
|-
! Singer(s):
| {{{field|Singer|input type=tokens|values from namespace=Main|delimiter=;;}}}
|-
! Recording Date:
| {{{field|RecDate|input type=date}}}
|-
! Label:
| {{{field|Label|input type=text}}}
|-
! Disc Type:
| {{{field|DiscType|input type=dropdown|values=Shellac,Tape,Vinyl}}}
|-
! Disco No:
| {{{field|DiscoNo|input type=text}}}
|-
! Matrix No:
| {{{field|MatrixNo|input type=text}}}
|-
! Side:
| {{{field|Side|input type=text}}}
|-
! Audio File Name:
| {{{field|Soundfile|input type=text}}}
|-
! Related Tune (TITAF-T-xxxxx):
| {{{field|RelatedTuneID|input type=text|readonly}}}
|-
! Arranger(s):
| {{{field|Arranger|input type=tokens|values from namespace=Main|delimiter=;;}}}
|-
{{{standard input|save}}} {{{standard input|cancel}}}
|}
{{{end template}}}

</includeonly>

TITAF-RC-0963422

2025-06-23T05:48:56Z

Donxello: Created page with "{{Recording |AccompanimentFree=con guitarras |Singer=TITAF-P-7231388 |RecDate=1931-12-24 |Label=Victor |DiscType=Shellac |DiscoNo=37128 |MatrixNo=66576-2 |Side=B |RelatedTuneID=TITAF-T-0021651 }}"

{{Recording
|AccompanimentFree=con guitarras
|Singer=TITAF-P-7231388
|RecDate=1931-12-24
|Label=Victor
|DiscType=Shellac
|DiscoNo=37128
|MatrixNo=66576-2
|Side=B
|RelatedTuneID=TITAF-T-0021651
}}

TITAF-T-0021651

2025-06-23T05:45:51Z

Donxello:

{{Tune
|TuneName=Amor y celos
|Name_alt=Amor y celo
|Composer=TITAF-P-2180558
|Lyricist=TITAF-P-2824152
|Genre=Vals
}}
[[Category:Tune]]<noinclude>{{DISPLAYTITLE:Amor y celos}}</noinclude>

TITAF-RC-0562918

2025-06-23T05:44:35Z

{{Recording
|AccompanimentFree=con guitarras
|Singer=TITAF-P-7231388
|RecDate=1931-12-24
|Label=Victor
|DiscType=Shellac
|DiscoNo=37128
|MatrixNo=66575-2
|Side=A
|RelatedTuneID=TITAF-T-0016364
}}

TITAF-RC-0416411

2025-06-23T05:42:35Z

Donxello:

{{Recording
|AccompanimentFree=con orquesta
|Singer=Dorita Davis (TITAF-P-7231388)
|RecDate=1931-09-25
|Label=Victor
|DiscType=Shellac
|DiscoNo=37073
|MatrixNo=60979-1
|Side=B
|RelatedTuneID=TITAF-T-0018333
}}

TITAF-RC-0416411

2025-06-23T05:42:21Z

Donxello:

{{Recording
|AccompanimentFree=con guitarras
|Singer=Dorita Davis (TITAF-P-7231388)
|RecDate=1931-09-25
|Label=Victor
|DiscType=Shellac
|DiscoNo=37073
|MatrixNo=60979-1
|Side=B
|RelatedTuneID=TITAF-T-0018333
}}

TITAF-P-1002362

2025-06-22T19:10:06Z

Donxello:

{{Person
|PersonName=Francisco Paredes Herrera
|genderLabel=male
|birthDate=1891-11-08
|deathDate=1952
|birthPlaceLabel=Cuenca
|birthPlaceCountryLabel=Ecuador
|citizenshipLabel=Ecuador
|Occupation=composer
|Commons image URL short=Francisco-Paredes-Herrera_.jpg
|wikidataID=Q105687527
|PersonFreeText='''Francisco Paredes Herrera''' (born 8 November 1891 in [[Cuenca]], died 1 January 1952 in [[Guayaquil]]) was a notable Ecuadorian composer. He was the son of [[Francisco Paredes Orellana]] and [[Virginia Herrera]].

== Early Life and Education ==
Paredes Herrera completed all his studies in his hometown of [[Cuenca]]. At the age of ten, his father—himself a musician—introduced him to José Basso, an Italian priest, who taught him composition and harmony.

== Career in Guayaquil ==
Since 1920, Paredes Herrera lived permanently in [[Guayaquil]], where he soon became a widely known composer, especially for national rhythms and musical forms. He composed pasodobles, pasacalles, boleros, sanjuanitos, yaravíes, danzantes, and most notably, pasillos of exceptional beauty. For this, he earned the title "El Rey del Pasillo Ecuatoriano" (The King of the Ecuadorian Pasillo).

He set to music the verses of prominent poets, both Ecuadorian and foreign, including [[Elías Cedeño Jervis]], [[Manuel Coello]], [[Medardo Ángel Silva]], [[Julio Flores]], [[Jorge Ismael Gandú]], [[Aurelio Martínez]], [[Libardo Parra]], and [[TITAF-P-7223761|Juan de Dios Peza]].

== Notable Works ==
Some of his most beautiful pasillos include:
* [[El alma en los labios]]
* [[Horas de pasión]]
* [[Manabí]]
* [[Rosario de besos]]
* [[El último pasillo]]
* [[Unamos los corazones]]
* [[Como si fuera un niño]]
* [[Tú y yo]] – This song earned the [[Hermanos Miño Naranjo]] first prize at the Second Ibero-American Song Fair held in [[Barcelona]] in 1964.

== Death ==
Sadly, Francisco Paredes Herrera passed away on 1 January 1952, before witnessing the international success of his composition "Tú y yo". He died surrounded by the admiration and affection of the Ecuadorian people.
|instanceOf=human
}}
[[Category:TangoPeople]]<noinclude>{{DISPLAYTITLE:Francisco Paredes Herrera}}</noinclude>

TITAF-P-1002362

2025-06-22T19:07:56Z

Donxello:

{{Person
|PersonName=Francisco Paredes Herrera
|genderLabel=male
|birthDate=1891-11-08
|deathDate=1952
|birthPlaceLabel=Cuenca
|birthPlaceCountryLabel=Ecuador
|citizenshipLabel=Ecuador
|Occupation=composer
|Commons image URL short=Francisco-Paredes-Herrera_.jpg
|wikidataID=Q105687527
|PersonFreeText='''Francisco Paredes Herrera''' (born 8 November 1891 in [[Cuenca]], died 1 January 1952 in [[Guayaquil]]) was a notable Ecuadorian composer. He was the son of [[Francisco Paredes Orellana]] and [[Virginia Herrera]].

== Early Life and Education == 
Paredes Herrera completed all his studies in his hometown of [[Cuenca]]. At the age of ten, his father—himself a musician—introduced him to José Basso, an Italian priest, who taught him composition and harmony.

== Career in Guayaquil == 
Since 1920, Paredes Herrera lived permanently in [[Guayaquil]], where he soon became a widely known composer, especially for national rhythms and musical forms. He composed pasodobles, pasacalles, boleros, sanjuanitos, yaravíes, danzantes, and most notably, pasillos of exceptional beauty. For this, he earned the title "El Rey del Pasillo Ecuatoriano" (The King of the Ecuadorian Pasillo).

He set to music the verses of prominent poets, both Ecuadorian and foreign, including [[Elías Cedeño Jervis]], [[Manuel Coello]], [[Medardo Ángel Silva]], [[Julio Flores]], [[Jorge Ismael Gandú]], [[Aurelio Martínez]], [[Libardo Parra]], and [[TITAF-P-7223761|Juan de Dios Peza]].

== Notable Works == 
Some of his most beautiful pasillos include:
* [[El alma en los labios]]
* [[Horas de pasión]]
* [[Manabí]]
* [[Rosario de besos]]
* [[El último pasillo]]
* [[Unamos los corazones]]
* [[Como si fuera un niño]]
* [[Tú y yo]] – This song earned the [[Hermanos Miño Naranjo]] first prize at the Second Ibero-American Song Fair held in [[Barcelona]] in 1964.

== Death == 
Sadly, Francisco Paredes Herrera passed away on 1 January 1952, before witnessing the international success of his composition "Tú y yo". He died surrounded by the admiration and affection of the Ecuadorian people.
|instanceOf=human
}}
[[Category:TangoPeople]]<noinclude>{{DISPLAYTITLE:Francisco Paredes Herrera}}</noinclude>

TITAF-P-1002362

2025-06-22T19:05:51Z

Donxello:

{{Person
|PersonName=Francisco Paredes Herrera
|genderLabel=male
|birthDate=1891-11-08
|deathDate=1952
|birthPlaceLabel=Cuenca
|birthPlaceCountryLabel=Ecuador
|citizenshipLabel=Ecuador
|Occupation=composer
|Commons image URL short=Francisco-Paredes-Herrera_.jpg
|wikidataID=Q105687527
|PersonFreeText='''Francisco Paredes Herrera''' (born 8 November 1891 in [[Cuenca]], died 1 January 1952 in [[Guayaquil]]) was a notable Ecuadorian composer. He was the son of [[Francisco Paredes Orellana]] and [[Virginia Herrera]].

== Early Life and Education == 
Paredes Herrera completed all his studies in his hometown of [[Cuenca]]. At the age of ten, his father—himself a musician—introduced him to José Basso, an Italian priest, who taught him composition and harmony.

== Career in Guayaquil == 
Since 1920, Paredes Herrera lived permanently in [[Guayaquil]], where he soon became a widely known composer, especially for national rhythms and musical forms. He composed pasodobles, pasacalles, boleros, sanjuanitos, yaravíes, danzantes, and most notably, pasillos of exceptional beauty. For this, he earned the title "El Rey del Pasillo Ecuatoriano" (The King of the Ecuadorian Pasillo).

He set to music the verses of prominent poets, both Ecuadorian and foreign, including [[Elías Cedeño Jervis]], [[Manuel Coello]], [[Medardo Ángel Silva]], [[Julio Flores]], [[Jorge Ismael Gandú]], [[Aurelio Martínez]], [[Libardo Parra]], and [[TITAF-P-7223761|Juan de Dios Peza]].

== Notable Works == 
Some of his most beautiful pasillos include:
* [[El alma en los labios]]
* [[TITAF-T-0023206|Horas de pasión]]
* [[Manabí]]
* [[Rosario de besos]]
* [[El último pasillo]]
* [[Unamos los corazones]]
* [[Como si fuera un niño]]
* [[TITAF-T-0023194|Tú y yo]] – This song earned the [[Hermanos Miño Naranjo]] first prize at the Second Ibero-American Song Fair held in [[Barcelona]] in 1964.

== Death == 
Sadly, Francisco Paredes Herrera passed away on 1 January 1952, before witnessing the international success of his composition "[[TITAF-T-0023194|Tú y yo]]". He died surrounded by the admiration and affection of the Ecuadorian people.
|instanceOf=human
}}
[[Category:TangoPeople]]<noinclude>{{DISPLAYTITLE:Francisco Paredes Herrera}}</noinclude>

TITAF-P-1002362

2025-06-22T19:04:57Z

Donxello:

{{Person
|PersonName=Francisco Paredes Herrera
|genderLabel=male
|birthDate=1891-11-08
|deathDate=1952
|birthPlaceLabel=Cuenca
|birthPlaceCountryLabel=Ecuador
|citizenshipLabel=Ecuador
|Occupation=composer
|Commons image URL short=Francisco-Paredes-Herrera_.jpg
|wikidataID=Q105687527
|PersonFreeText='''[[Francisco Paredes Herrera]]''' (born 8 November 1891 in [[Cuenca]], died 1 January 1952 in [[Guayaquil]]) was a notable Ecuadorian composer. He was the son of [[Francisco Paredes Orellana]] and [[Virginia Herrera]].
== Early Life and Education == Paredes Herrera completed all his studies in his hometown of [[Cuenca]]. At the age of ten, his father—himself a musician—introduced him to José Basso, an Italian priest, who taught him composition and harmony.
== Career in Guayaquil == Since 1920, Paredes Herrera lived permanently in [[Guayaquil]], where he soon became a widely known composer, especially for national rhythms and musical forms. He composed pasodobles, pasacalles, boleros, sanjuanitos, yaravíes, danzantes, and most notably, pasillos of exceptional beauty. For this, he earned the title "El Rey del Pasillo Ecuatoriano" (The King of the Ecuadorian Pasillo).
He set to music the verses of prominent poets, both Ecuadorian and foreign, including [[Elías Cedeño Jervis]], [[Manuel Coello]], [[Medardo Ángel Silva]], [[Julio Flores]], [[Jorge Ismael Gandú]], [[Aurelio Martínez]], [[Libardo Parra]], and [[TITAF-P-7223761|Juan de Dios Peza]].
== Notable Works == Some of his most beautiful pasillos include:
* [[El alma en los labios]]
* [[TITAF-T-0023206|Horas de pasión]]
* [[Manabí]]
* [[Rosario de besos]]
* [[El último pasillo]]
* [[Unamos los corazones]]
* [[Como si fuera un niño]]
* [[TITAF-T-0023194|Tú y yo]] – This song earned the [[Hermanos Miño Naranjo]] first prize at the Second Ibero-American Song Fair held in [[Barcelona]] in 1964.
== Death == Sadly, Francisco Paredes Herrera passed away on 1 January 1952, before witnessing the international success of his composition "[[TITAF-T-0023194|Tú y yo]]". He died surrounded by the admiration and affection of the Ecuadorian people.
|instanceOf=human
}}
[[Category:TangoPeople]]<noinclude>{{DISPLAYTITLE:Francisco Paredes Herrera}}</noinclude>

File:Carlos-pimentel01.jpg

2025-06-22T15:52:42Z

Donxello:

TITAF-P-1002318

2025-06-22T15:52:34Z

Donxello:

{{Person
|PersonName=Carlos Pimentel
|Name_real=Carlos Pimentel Barrera
|genderLabel=male
|birthDate=1887
|deathDate=1958
|birthPlaceLabel=Santiago de Chile
|birthPlaceCountryLabel=Chile
|citizenshipLabel=Chile
|Occupation=composer;;guitarist
|instrument=guitar
|Commons image URL short=carlos-pimentel01.jpg
|PersonFreeText='''Carlos Pimentel Barrera''' (1887–1958) was a pioneering figure of classical guitar in Chile during the early 20th century. A prolific composer, performer, and teacher based in Valparaíso, his vast musical output spans over 500 works and reflects the stylistic transition from European salon music to emerging Latin American popular genres.

== Biography ==

Born in Santiago in 1887, Pimentel spent most of his life in [[Valparaíso]], where he died in 1958. He began studying piano and guitar at an early age and went on to build a significant career as a performer and composer. While the details of his early training remain unclear, he is believed to have studied under the Spanish musician [[Antonio Alba]], with whom he shared a deep interest in the guitar and other plucked string instruments like the mandolin and bandurria. Together they helped promote the solo guitar repertoire inspired by European salon music in early 20th-century Chile.

== Works and Style ==

Carlos Pimentel’s compositions include works for guitar, piano, and voice. His catalogue features salon dances such as [[Vals|vals]], [[Shotis|schottisches]], [[Mazurca|mazurkas]], [[Gavotte|gavottes]], and [[Polca|polkas]], as well as [[Habanera|habaneras]], [[Tango|tangos]], [[Cueca|cuecas]], [[Tonada|tonadas]], [[Foxtrot|foxtrots]] and even [[Shimmy|shimmies]]. He also composed numerous hymns, marches, and commercial jingles. Over 180 of his compositions are patriotic or commemorative works, including the notable '''Himno a las víctimas del terremoto de Chillán''' (1939).

His music was not limited to Chile: Pimentel toured and performed in [[Peru]], [[Ecuador]], and [[Argentina]], receiving acclaim from audiences and critics alike. His compositions were published by major South American publishers such as Casa Guillermo Brandes in Peru and Kirsinger, Doggenweiler, Brandt, and Mattensohn & Grimm in Chile.

A tireless promoter of his own work, Pimentel traveled with his family, renting theaters to stage his concerts, where he also sold printed sheet music.

== Pedagogy and Cultural Influence ==

In parallel with his compositional career, Pimentel was a committed educator. He founded several music schools in Valparaíso, including the influential ''Casa Buenos Aires'' in the 1930s, which served as a concert venue, a music school, and a sheet music shop. His efforts helped introduce many Chileans to both European and Latin American repertoires.

Despite his contributions, Pimentel remained in relative obscurity for decades, likely due in part to the marginalization of the guitar in academic music circles during the early 20th century. Guitars were only formally included in Chilean conservatories in the late 1940s. Pimentel himself may have chosen to remain under the radar, expressing in surviving documents a desire to be remembered only after his death.

== Rediscovery and Legacy ==

Carlos Pimentel’s legacy was revived in 1998 when his family rediscovered his manuscripts. That year, classical guitarist [[Óscar Ohlsen]] released the album ''La guitarra de Carlos Pimentel'', featuring 23 of his pieces, including:

* ''Matilde'' (habanera)
* ''Correspóndeme'' and ''Yo te correspondo'' (schottischs)
* ''El ahuacate'' (Spanish tango)
* Arrangements of the tango ''Pañuelito'' and the aria from Bizet’s ''Carmen''

In April 2007, the book '''Del salón a la música popular en la guitarra de Carlos Pimentel''' by Roberto Fuertes and Bernardo Zamora was published. In early 2015, his manuscripts were donated to the Chilean National Library’s Music Archive. That same year, the documentary '''Acordes de la memoria''' was released, securing Pimentel’s place in Chile’s musical history.

== Selected Works ==
* ''Matilde'' (habanera)
* ''Correspóndeme'' (schottisch)
* ''Yo te correspondo'' (schottisch)
* ''El ahuacate'' (Spanish tango)
* ''Pañuelito'' (arrangement)
* ''Carmen'' aria (arrangement)
* ''Himno a las víctimas del terremoto de Chillán'' (1939)
* Numerous foxtrots, cuecas, tonadas, and jingles

== Sources ==
* [https://www.musicapopular.cl/artista/carlos-pimentel/ Carlos Pimentel – MusicaPopular.
|instanceOf=human
}}
[[Category:TangoPeople]]<noinclude>{{DISPLAYTITLE:Carlos Pimentel}}</noinclude>

TITAF-P-1002318

2025-06-22T15:51:20Z

Donxello:

{{Person
|PersonName=Carlos Pimentel
|Name_real=Carlos Pimentel Barrera
|genderLabel=male
|birthDate=1887
|deathDate=1958
|birthPlaceLabel=Santiago de Chile
|birthPlaceCountryLabel=Chile
|citizenshipLabel=Chile
|Occupation=composer;;guitarist
|instrument=guitar
|PersonFreeText='''Carlos Pimentel Barrera''' (1887–1958) was a pioneering figure of classical guitar in Chile during the early 20th century. A prolific composer, performer, and teacher based in Valparaíso, his vast musical output spans over 500 works and reflects the stylistic transition from European salon music to emerging Latin American popular genres.

== Biography ==

Born in Santiago in 1887, Pimentel spent most of his life in [[Valparaíso]], where he died in 1958. He began studying piano and guitar at an early age and went on to build a significant career as a performer and composer. While the details of his early training remain unclear, he is believed to have studied under the Spanish musician [[Antonio Alba]], with whom he shared a deep interest in the guitar and other plucked string instruments like the mandolin and bandurria. Together they helped promote the solo guitar repertoire inspired by European salon music in early 20th-century Chile.

== Works and Style ==

Carlos Pimentel’s compositions include works for guitar, piano, and voice. His catalogue features salon dances such as [[Vals|vals]], [[Shotis|schottisches]], [[Mazurca|mazurkas]], [[Gavotte|gavottes]], and [[Polca|polkas]], as well as [[Habanera|habaneras]], [[Tango|tangos]], [[Cueca|cuecas]], [[Tonada|tonadas]], [[Foxtrot|foxtrots]] and even [[Shimmy|shimmies]]. He also composed numerous hymns, marches, and commercial jingles. Over 180 of his compositions are patriotic or commemorative works, including the notable '''Himno a las víctimas del terremoto de Chillán''' (1939).

His music was not limited to Chile: Pimentel toured and performed in [[Peru]], [[Ecuador]], and [[Argentina]], receiving acclaim from audiences and critics alike. His compositions were published by major South American publishers such as Casa Guillermo Brandes in Peru and Kirsinger, Doggenweiler, Brandt, and Mattensohn & Grimm in Chile.

A tireless promoter of his own work, Pimentel traveled with his family, renting theaters to stage his concerts, where he also sold printed sheet music.

== Pedagogy and Cultural Influence ==

In parallel with his compositional career, Pimentel was a committed educator. He founded several music schools in Valparaíso, including the influential ''Casa Buenos Aires'' in the 1930s, which served as a concert venue, a music school, and a sheet music shop. His efforts helped introduce many Chileans to both European and Latin American repertoires.

Despite his contributions, Pimentel remained in relative obscurity for decades, likely due in part to the marginalization of the guitar in academic music circles during the early 20th century. Guitars were only formally included in Chilean conservatories in the late 1940s. Pimentel himself may have chosen to remain under the radar, expressing in surviving documents a desire to be remembered only after his death.

== Rediscovery and Legacy ==

Carlos Pimentel’s legacy was revived in 1998 when his family rediscovered his manuscripts. That year, classical guitarist [[Óscar Ohlsen]] released the album ''La guitarra de Carlos Pimentel'', featuring 23 of his pieces, including:

* ''Matilde'' (habanera)
* ''Correspóndeme'' and ''Yo te correspondo'' (schottischs)
* ''El ahuacate'' (Spanish tango)
* Arrangements of the tango ''Pañuelito'' and the aria from Bizet’s ''Carmen''

In April 2007, the book '''Del salón a la música popular en la guitarra de Carlos Pimentel''' by Roberto Fuertes and Bernardo Zamora was published. In early 2015, his manuscripts were donated to the Chilean National Library’s Music Archive. That same year, the documentary '''Acordes de la memoria''' was released, securing Pimentel’s place in Chile’s musical history.

== Selected Works ==
* ''Matilde'' (habanera)
* ''Correspóndeme'' (schottisch)
* ''Yo te correspondo'' (schottisch)
* ''El ahuacate'' (Spanish tango)
* ''Pañuelito'' (arrangement)
* ''Carmen'' aria (arrangement)
* ''Himno a las víctimas del terremoto de Chillán'' (1939)
* Numerous foxtrots, cuecas, tonadas, and jingles

== Sources ==
* [https://www.musicapopular.cl/artista/carlos-pimentel/ Carlos Pimentel – MusicaPopular.
|instanceOf=human
}}
[[Category:TangoPeople]]<noinclude>{{DISPLAYTITLE:Carlos Pimentel}}</noinclude>

Gavotte

2025-06-22T15:51:12Z

Donxello: Created page with "{{Genre |genre_name=Gavotte |genre_desc=Gavotte is a French court dance in 4/4 or 2/2 time, characterized by its elegant, flowing steps. While originating in Baroque music, it occasionally appears in salon music repertoires of early 20th-century Argentina. }}"

{{Genre
|genre_name=Gavotte
|genre_desc=Gavotte is a French court dance in 4/4 or 2/2 time, characterized by its elegant, flowing steps. While originating in Baroque music, it occasionally appears in salon music repertoires of early 20th-century Argentina.
}}

TITAF-P-1002318

2025-06-22T15:47:27Z

Donxello:

{{Person
|PersonName=Carlos Pimentel
|Name_real=Carlos Pimentel Barrera
|genderLabel=male
|birthDate=1887
|deathDate=1958
|birthPlaceLabel=Santiago de Chile
|birthPlaceCountryLabel=Chile
|citizenshipLabel=Chile
|Occupation=composer;;guitarist
|instrument=guitar
|PersonFreeText='''Carlos Pimentel Barrera''' (1887–1958) was a pioneering figure of classical guitar in Chile during the early 20th century. A prolific composer, performer, and teacher based in Valparaíso, his vast musical output spans over 500 works and reflects the stylistic transition from European salon music to emerging Latin American popular genres.

== Biography ==

Born in Santiago in 1887, Pimentel spent most of his life in [[Valparaíso]], where he died in 1958. He began studying piano and guitar at an early age and went on to build a significant career as a performer and composer. While the details of his early training remain unclear, he is believed to have studied under the Spanish musician [[Antonio Alba]], with whom he shared a deep interest in the guitar and other plucked string instruments like the mandolin and bandurria. Together they helped promote the solo guitar repertoire inspired by European salon music in early 20th-century Chile.

== Works and Style ==

Carlos Pimentel’s compositions include works for guitar, piano, and voice. His catalogue features salon dances such as [[Vals|vals]], [[Schottische|schottisches]], [[Mazurca|mazurkas]], [[Gavotte|gavottes]], and [[Polca|polkas]], as well as [[Habanera|habaneras]], [[Tango|tangos]], [[Cueca|cuecas]], [[Tonada|tonadas]], [[Foxtrot|foxtrots]] and even [[Shimmy|shimmies]]. He also composed numerous hymns, marches, and commercial jingles. Over 180 of his compositions are patriotic or commemorative works, including the notable '''Himno a las víctimas del terremoto de Chillán''' (1939).

His music was not limited to Chile: Pimentel toured and performed in [[Peru]], [[Ecuador]], and [[Argentina]], receiving acclaim from audiences and critics alike. His compositions were published by major South American publishers such as Casa Guillermo Brandes in Peru and Kirsinger, Doggenweiler, Brandt, and Mattensohn & Grimm in Chile.

A tireless promoter of his own work, Pimentel traveled with his family, renting theaters to stage his concerts, where he also sold printed sheet music.

== Pedagogy and Cultural Influence ==

In parallel with his compositional career, Pimentel was a committed educator. He founded several music schools in Valparaíso, including the influential ''Casa Buenos Aires'' in the 1930s, which served as a concert venue, a music school, and a sheet music shop. His efforts helped introduce many Chileans to both European and Latin American repertoires.

Despite his contributions, Pimentel remained in relative obscurity for decades, likely due in part to the marginalization of the guitar in academic music circles during the early 20th century. Guitars were only formally included in Chilean conservatories in the late 1940s. Pimentel himself may have chosen to remain under the radar, expressing in surviving documents a desire to be remembered only after his death.

== Rediscovery and Legacy ==

Carlos Pimentel’s legacy was revived in 1998 when his family rediscovered his manuscripts. That year, classical guitarist [[Óscar Ohlsen]] released the album ''La guitarra de Carlos Pimentel'', featuring 23 of his pieces, including:

* ''Matilde'' (habanera)
* ''Correspóndeme'' and ''Yo te correspondo'' (schottischs)
* ''El ahuacate'' (Spanish tango)
* Arrangements of the tango ''Pañuelito'' and the aria from Bizet’s ''Carmen''

In April 2007, the book '''Del salón a la música popular en la guitarra de Carlos Pimentel''' by Roberto Fuertes and Bernardo Zamora was published. In early 2015, his manuscripts were donated to the Chilean National Library’s Music Archive. That same year, the documentary '''Acordes de la memoria''' was released, securing Pimentel’s place in Chile’s musical history.

== Selected Works ==
* ''Matilde'' (habanera)
* ''Correspóndeme'' (schottisch)
* ''Yo te correspondo'' (schottisch)
* ''El ahuacate'' (Spanish tango)
* ''Pañuelito'' (arrangement)
* ''Carmen'' aria (arrangement)
* ''Himno a las víctimas del terremoto de Chillán'' (1939)
* Numerous foxtrots, cuecas, tonadas, and jingles

== Sources ==
* [https://www.musicapopular.cl/artista/carlos-pimentel/ Carlos Pimentel – MusicaPopular.
|instanceOf=human
}}
[[Category:TangoPeople]]<noinclude>{{DISPLAYTITLE:Carlos Pimentel}}</noinclude>

TITAF-P-1002311

2025-06-22T15:41:24Z

Donxello:

{{Person
|PersonName=Rafael Otero López
|Pseudonyms-nicknames=El Tata
|genderLabel=male
|birthDate=1921
|deathDate=1997-11-30
|citizenshipLabel=Peru
|Occupation=composer;;singer;;guitarist
|instrument=voice;;guitar
|wikidataID=Q6097787
|PersonFreeText='''Rafael Otero López''' (known as '''"El Tata"''') was a distinguished Peruvian composer, singer, and guitarist, and a foundational figure in the history of *música criolla* in Peru. Revered for his emotional depth and musical craftsmanship, he left a lasting mark on the cultural heritage of the nation.

== Biography ==

Rafael Otero López rose to national prominence through his work as a composer and performer of *música criolla*, the emblematic genre of coastal Peru. His talent and charisma earned him a central place in the golden era of Peruvian radio and performance.

He was the founder of the acclaimed trio '''Los Trovadores del Norte''', a group that experienced several incarnations over the years. One of the most notable lineups included [[Dimas Ayulo]] and [[Alberto Ovalle]]. He also performed as part of the '''Dúo Piura''' alongside [[Luis Cruz Núñez]].

Throughout his prolific career, Otero López collaborated with several renowned musicians. Among his most memorable partnerships were the trios he formed with [[Rolando Reyes]], [[Enrique Delgado]], [[Pedrito Torres]], and "El Morocho" Contreras. These ensembles left a lasting imprint on the musical programming of Radio Victoria, one of Peru’s most influential broadcasters of the time. His work alternated weekly with performances by [[Los Embajadores Criollos]], contributing to what is now remembered as a golden age of *música criolla* on the airwaves.

== Legacy ==

Aside from his musical contributions, Rafael Otero López was also known for his legendary venue: the restaurant and ''peña'' '''Los Dos Carrizos''' located in the district of Rímac, Lima. This cultural hotspot combined exceptional Peruvian cuisine with live music, becoming a beloved institution for lovers of *música criolla*.

Otero López's songwriting is revered, with compositions such as the poignant waltz '''''[[TITAF-T-0013025|Ódiame]]''''' — for which he composed the music — and the deeply expressive '''''[[TITAF-T-0485626|Estréchame']]'''' remaining staples of the genre. These works are celebrated for their lyrical beauty and emotional resonance.

== Recognition ==

In 1994, Rafael Otero López was honored during the *Primer Encuentro de Compositores Intérpretes de la Música Criolla del Perú*, a major event produced and directed by the acclaimed musician and cultural promoter [[Raúl Valdivia Lizárraga]]. His performance in that gathering, particularly of his famed waltzes, was seen as a high point of the event and remains a cherished memory in Peruvian musical history.
|instanceOf=human
}}
[[Category:TangoPeople]]<noinclude>{{DISPLAYTITLE:Rafael Otero López}}</noinclude>

TITAF-P-1002311

2025-06-22T15:40:53Z

Donxello:

{{Person
|PersonName=Rafael Otero López
|Pseudonyms-nicknames=El Tata
|genderLabel=male
|birthDate=1921
|deathDate=1997-11-30
|citizenshipLabel=Peru
|Occupation=composer;;singer;;guitarist
|instrument=voice;;guitar
|wikidataID=Q6097787
|PersonFreeText='''Rafael Otero López''' (known as '''"El Tata"''') was a distinguished Peruvian composer, singer, and guitarist, and a foundational figure in the history of *música criolla* in Peru. Revered for his emotional depth and musical craftsmanship, he left a lasting mark on the cultural heritage of the nation.

== Biography ==

Rafael Otero López rose to national prominence through his work as a composer and performer of *música criolla*, the emblematic genre of coastal Peru. His talent and charisma earned him a central place in the golden era of Peruvian radio and performance.

He was the founder of the acclaimed trio '''Los Trovadores del Norte''', a group that experienced several incarnations over the years. One of the most notable lineups included [[Dimas Ayulo]] and [[Alberto Ovalle]]. He also performed as part of the '''Dúo Piura''' alongside [[Luis Cruz Núñez]].

Throughout his prolific career, Otero López collaborated with several renowned musicians. Among his most memorable partnerships were the trios he formed with [[Rolando Reyes]], [[Enrique Delgado]], [[Pedrito Torres]], and "El Morocho" Contreras. These ensembles left a lasting imprint on the musical programming of Radio Victoria, one of Peru’s most influential broadcasters of the time. His work alternated weekly with performances by [[Los Embajadores Criollos]], contributing to what is now remembered as a golden age of *música criolla* on the airwaves.

== Legacy ==

Aside from his musical contributions, Rafael Otero López was also known for his legendary venue: the restaurant and ''peña'' '''Los Dos Carrizos''' located in the district of Rímac, Lima. This cultural hotspot combined exceptional Peruvian cuisine with live music, becoming a beloved institution for lovers of *música criolla*.

Otero López's songwriting is revered, with compositions such as the poignant waltz '''''[[TITAF-T-0013025|Ódiame]]''''' — for which he composed the music — and the deeply expressive '''''[[TITAF-T-0485626|Estréchame']]'''' remaining staples of the genre. These works are celebrated for their lyrical beauty and emotional resonance.

== Recognition ==

In 1994, Rafael Otero López was honored during the *Primer Encuentro de Compositores Intérpretes de la Música Criolla del Perú*, a major event produced and directed by the acclaimed musician and cultural promoter [[Raúl Valdivia Lizárraga]]. His performance in that gathering, particularly of his famed waltzes, was seen as a high point of the event and remains a cherished memory in Peruvian musical history.

== External Links ==
* [https://www.youtube.com/watch?v=XXXXXXX Performance of “Ódiame” by Rafael Otero López (YouTube)]
|instanceOf=human
}}
[[Category:TangoPeople]]<noinclude>{{DISPLAYTITLE:Rafael Otero López}}</noinclude>

TITAF-P-1002311

2025-06-22T15:40:10Z

Donxello:

José Serrano – 1873-1941

2025-06-22T13:56:02Z

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#REDIRECT [[TITAF-P-1001228]]

José Ricardo – 1888-1937

2025-06-22T13:56:01Z

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F. Martolli (Betbeze) – 1886-1968

2025-06-22T13:56:01Z

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Alcides Rossi – 1927-

2025-06-22T13:56:01Z

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#REDIRECT [[TITAF-P-5226465]]

Braulio López – 1942-

2025-06-22T13:56:01Z

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#REDIRECT [[TITAF-P-9983534]]

Carolina Winograd – 1978-

2025-06-22T13:56:01Z

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#REDIRECT [[TITAF-P-3592674]]

Fernando Torres

2025-06-22T13:56:01Z

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#REDIRECT [[TITAF-P-1000979]]

Pascual Clausi – 1893-1967

2025-06-22T13:56:00Z

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#REDIRECT [[TITAF-P-1857928]]

José Cano

2025-06-22T13:56:00Z

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#REDIRECT [[TITAF-P-1001962]]

Robert Planquette – 1848-1903

2025-06-22T13:55:59Z

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#REDIRECT [[TITAF-P-3238242]]

Genaro Gatto

2025-06-22T13:55:59Z

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#REDIRECT [[TITAF-P-8384896]]