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	<id>https://tangowiki.titaf.org/index.php?action=history&amp;feed=atom&amp;title=Gardel_did_not_only_sing_tangos</id>
	<title>Gardel did not only sing tangos - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://tangowiki.titaf.org/index.php?action=history&amp;feed=atom&amp;title=Gardel_did_not_only_sing_tangos"/>
	<link rel="alternate" type="text/html" href="https://tangowiki.titaf.org/index.php?title=Gardel_did_not_only_sing_tangos&amp;action=history"/>
	<updated>2026-06-15T15:19:20Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://tangowiki.titaf.org/index.php?title=Gardel_did_not_only_sing_tangos&amp;diff=112167&amp;oldid=prev</id>
		<title>Donxello: /* Sources the author used */</title>
		<link rel="alternate" type="text/html" href="https://tangowiki.titaf.org/index.php?title=Gardel_did_not_only_sing_tangos&amp;diff=112167&amp;oldid=prev"/>
		<updated>2025-05-30T15:31:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Sources the author used&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:31, 30 May 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l163&quot;&gt;Line 163:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 163:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources the author used ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources the author used ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Segovia, J. A. (1990). Gardel por el mundo, in: &#039;&#039;Carlos Gardel. Su obra integral&#039;&#039;. Buenos Aires: El Bandoneón, Vol. 10, EBCD, 20.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;# &lt;/ins&gt;Segovia, J. A. (1990). Gardel por el mundo, in: &#039;&#039;Carlos Gardel. Su obra integral&#039;&#039;. Buenos Aires: El Bandoneón, Vol. 10, EBCD, 20.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;# &lt;/ins&gt;Puga, B. &#039;&#039;Discografía de Carlos Gardel&#039;&#039;. [http://gardel.unsl.edu.ar/boris_puga.htm gardel.unsl.edu.ar]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Puga, B. &#039;&#039;Discografía de Carlos Gardel&#039;&#039;. [http://gardel.unsl.edu.ar/boris_puga.htm gardel.unsl.edu.ar]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;# &lt;/ins&gt;Valencia, A. (En prensa). El tango y el pasodoble, in: &#039;&#039;El universo del tango&#039;&#039;. Medellín: Academia Colombiana del Tango, Vol. 19, p. 234.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;# &lt;/ins&gt;Valencia, A. (En prensa). Tango y fado, in: &#039;&#039;El universo del tango&#039;&#039;. Medellín: Academia Colombiana del Tango, Vol. 15, p. 119.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Valencia, A. (En prensa). El tango y el pasodoble, in: &#039;&#039;El universo del tango&#039;&#039;. Medellín: Academia Colombiana del Tango, Vol. 19, p. 234.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;# &lt;/ins&gt;Selles, Roberto. Gardel y su repertorio internacional, in: &#039;&#039;La Porteña Tango&#039;&#039;. [http://www.lptango.com.ar/carlos-gardel/294-gardel-y-su-repertoriointernacional.html lptango.com.ar]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;# &lt;/ins&gt;Valencia, A. (En prensa). Los tangueros y el foxtrot, in: &#039;&#039;El universo del tango&#039;&#039;. Medellín: Academia Colombiana del Tango, Vol. 20, p. 26.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Valencia, A. (En prensa). Tango y fado, in: &#039;&#039;El universo del tango&#039;&#039;. Medellín: Academia Colombiana del Tango, Vol. 15, p. 119.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;# &lt;/ins&gt;Greco, Orlando del. (2008). Autores extranjeros a los que Gardel les cantó temas, in: &#039;&#039;Tango Repórter&#039;&#039;, No. 145, June. [http://www.tangoreporter.com/nota-autores.html tangoreporter.com]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;# &lt;/ins&gt;Rico Salazar, J. (2012). Biografía sonora. Carlos Gardel. Medellín: Club Internacional de Coleccionistas de Discos.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Selles, Roberto. Gardel y su repertorio internacional, in: &#039;&#039;La Porteña Tango&#039;&#039;. [http://www.lptango.com.ar/carlos-gardel/294-gardel-y-su-repertoriointernacional.html lptango.com.ar]&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Valencia, A. (En prensa). Los tangueros y el foxtrot, in: &#039;&#039;El universo del tango&#039;&#039;. Medellín: Academia Colombiana del Tango, Vol. 20, p. 26.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Greco, Orlando del. (2008). Autores extranjeros a los que Gardel les cantó temas, in: &#039;&#039;Tango Repórter&#039;&#039;, No. 145, June. [http://www.tangoreporter.com/nota-autores.html tangoreporter.com]&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rico Salazar, J. (2012). Biografía sonora. Carlos Gardel. Medellín: Club Internacional de Coleccionistas de Discos.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Donxello</name></author>
	</entry>
	<entry>
		<id>https://tangowiki.titaf.org/index.php?title=Gardel_did_not_only_sing_tangos&amp;diff=112166&amp;oldid=prev</id>
		<title>Donxello: /* References */</title>
		<link rel="alternate" type="text/html" href="https://tangowiki.titaf.org/index.php?title=Gardel_did_not_only_sing_tangos&amp;diff=112166&amp;oldid=prev"/>
		<updated>2025-05-30T15:29:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;References&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:29, 30 May 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l161&quot;&gt;Line 161:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 161:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Carlos Gardel’s career was far more diverse than commonly acknowledged. His repertoire traversed genres, continents, and languages, making him not just the voice of tango but a global ambassador of song. His discography invites rediscovery and deep listening, even eighty years after his death.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Carlos Gardel’s career was far more diverse than commonly acknowledged. His repertoire traversed genres, continents, and languages, making him not just the voice of tango but a global ambassador of song. His discography invites rediscovery and deep listening, even eighty years after his death.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;References &lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sources the author used &lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Segovia, J. A.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Segovia, J. A&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. (1990). Gardel por el mundo, in: &#039;&#039;Carlos Gardel. Su obra integral&#039;&#039;. Buenos Aires: El Bandoneón, Vol. 10, EBCD, 20&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Puga, B.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Puga, B. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Discografía de Carlos Gardel&#039;&#039;. [http://gardel.unsl.edu.ar/boris_puga.htm gardel.unsl.edu.ar]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Valencia, A. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;– &lt;/del&gt;El universo del tango, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;vols&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;15, &lt;/del&gt;19, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;20&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Valencia, A. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(En prensa). El tango y el pasodoble, in: &#039;&#039;&lt;/ins&gt;El universo del tango&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;. Medellín: Academia Colombiana del Tango&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Vol&lt;/ins&gt;. 19, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;p. 234.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Selles&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;R&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Valencia&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A. (En prensa). Tango y fado, in: &#039;&#039;El universo del tango&#039;&#039;. Medellín: Academia Colombiana del Tango, Vol. 15, p. 119&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Greco&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;O&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Selles&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Roberto&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Gardel y su repertorio internacional, in: &#039;&#039;La Porteña Tango&#039;&#039;. [http://www.lptango.com.ar/carlos-gardel/294-gardel-y-su-repertoriointernacional.html lptango.com.ar]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rico Salazar, J.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Valencia, A. (En prensa). Los tangueros y el foxtrot, in: &#039;&#039;El universo del tango&#039;&#039;. Medellín: Academia Colombiana del Tango, Vol. 20, p. 26.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Greco, Orlando del. (2008). Autores extranjeros a los que Gardel les cantó temas, in: &#039;&#039;Tango Repórter&#039;&#039;, No. 145, June. [http://www.tangoreporter.com/nota-autores.html tangoreporter.com]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Rico Salazar, J&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. (2012). Biografía sonora. Carlos Gardel. Medellín: Club Internacional de Coleccionistas de Discos&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Donxello</name></author>
	</entry>
	<entry>
		<id>https://tangowiki.titaf.org/index.php?title=Gardel_did_not_only_sing_tangos&amp;diff=112165&amp;oldid=prev</id>
		<title>Donxello: Created page with &quot;&lt;small&gt;&#039;&#039;Author: Asdrúbal Valencia – metallurgical engineer and author of &#039;&#039;El universo del tango&#039;&#039;&lt;/small&gt;  &#039;&#039;&#039;Carlos Gardel&#039;&#039;&#039; is universally recognized as the King of Tango. He created the tango canción and was its most iconic interpreter. However, his repertoire extended well beyond tango, covering a wide array of national and international musical genres. This article surveys the full scope of Gardel&#039;s career, from his early native record...&quot;</title>
		<link rel="alternate" type="text/html" href="https://tangowiki.titaf.org/index.php?title=Gardel_did_not_only_sing_tangos&amp;diff=112165&amp;oldid=prev"/>
		<updated>2025-05-30T15:26:43Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;lt;small&amp;gt;&amp;#039;&amp;#039;Author: &lt;a href=&quot;/index.php?title=Asdr%C3%BAbal_Valencia&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;Asdrúbal Valencia (page does not exist)&quot;&gt;Asdrúbal Valencia&lt;/a&gt; – metallurgical engineer and author of &amp;#039;&amp;#039;El universo del tango&amp;#039;&amp;#039;&amp;lt;/small&amp;gt;  &amp;#039;&amp;#039;&amp;#039;&lt;a href=&quot;/wiki/TITAF-P-1941911&quot; title=&quot;TITAF-P-1941911&quot;&gt;Carlos Gardel&lt;/a&gt;&amp;#039;&amp;#039;&amp;#039; is universally recognized as the King of Tango. He created the tango canción and was its most iconic interpreter. However, his repertoire extended well beyond tango, covering a wide array of national and international musical genres. This article surveys the full scope of Gardel&amp;#039;s career, from his early native record...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;small&amp;gt;&amp;#039;&amp;#039;Author: [[Asdrúbal Valencia]] – metallurgical engineer and author of &amp;#039;&amp;#039;El universo del tango&amp;#039;&amp;#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;[[TITAF-P-1941911|Carlos Gardel]]&amp;#039;&amp;#039;&amp;#039; is universally recognized as the King of Tango. He created the tango canción and was its most iconic interpreter. However, his repertoire extended well beyond tango, covering a wide array of national and international musical genres. This article surveys the full scope of Gardel&amp;#039;s career, from his early native recordings to his cosmopolitan legacy.&lt;br /&gt;
&lt;br /&gt;
== Early Recordings ==&lt;br /&gt;
Gardel began recording in 1912 at just over 20 years old. Columbia’s representative José Tagini offered him seven double-sided discs. These early works include:&lt;br /&gt;
&lt;br /&gt;
T594: &amp;#039;&amp;#039;La mañanita&amp;#039;&amp;#039; (estilo) / &amp;#039;&amp;#039;Me dejaste&amp;#039;&amp;#039; (estilo)&lt;br /&gt;
&lt;br /&gt;
T595: &amp;#039;&amp;#039;Mi madre&amp;#039;&amp;#039; (estilo) / &amp;#039;&amp;#039;Es en vano&amp;#039;&amp;#039; (canción)&lt;br /&gt;
&lt;br /&gt;
T637: &amp;#039;&amp;#039;Pobre flor&amp;#039;&amp;#039; (estilo) / &amp;#039;&amp;#039;La mariposa&amp;#039;&amp;#039; (estilo)&lt;br /&gt;
&lt;br /&gt;
T638: &amp;#039;&amp;#039;El almohadón&amp;#039;&amp;#039; (vals) / &amp;#039;&amp;#039;Brisas de la tarde&amp;#039;&amp;#039; (canción)&lt;br /&gt;
&lt;br /&gt;
T728: &amp;#039;&amp;#039;Sos mi tirador plateado&amp;#039;&amp;#039; (estilo) / &amp;#039;&amp;#039;Yo sé hacer&amp;#039;&amp;#039; (cifra)&lt;br /&gt;
&lt;br /&gt;
T729: &amp;#039;&amp;#039;Mi china cabrera&amp;#039;&amp;#039; (estilo) / &amp;#039;&amp;#039;A mi madre&amp;#039;&amp;#039; (estilo)&lt;br /&gt;
&lt;br /&gt;
T730: &amp;#039;&amp;#039;El sueño&amp;#039;&amp;#039; (estilo) / &amp;#039;&amp;#039;A Mitre&amp;#039;&amp;#039; (vals)&lt;br /&gt;
&lt;br /&gt;
These works align Gardel more with the payadores than the tango scene of the time.&lt;br /&gt;
&lt;br /&gt;
== The Duo with [[TITAF-P-7339859|José Razzano]] ==&lt;br /&gt;
Formed in 1913 and active until 1925, the Gardel-Razzano duo produced:&lt;br /&gt;
&lt;br /&gt;
74 recordings as a duo&lt;br /&gt;
&lt;br /&gt;
6 solo by Razzano&lt;br /&gt;
&lt;br /&gt;
224 solo by Gardel — 165 of them tangos&lt;br /&gt;
&lt;br /&gt;
Their first joint recording was &amp;#039;&amp;#039;Cantar eterno&amp;#039;&amp;#039; (1917), and the last &amp;#039;&amp;#039;El triunfo&amp;#039;&amp;#039; (1925). In parallel, Gardel began his solo trajectory with &amp;#039;&amp;#039;Mi noche triste&amp;#039;&amp;#039;, also in 1917. After Razzano suffered a larynx injury, the duo disbanded, and Gardel fully embraced his solo career.&lt;br /&gt;
&lt;br /&gt;
== National Repertoire ==&lt;br /&gt;
Gardel was a master of Argentine and Rioplatense folk genres, performing:&lt;br /&gt;
&lt;br /&gt;
Zamba, tonada, chacarera, ranchera, cifra, vidalita, cueca, gato, media cifra, canción campera, estilo, and tangos camperos&lt;br /&gt;
&lt;br /&gt;
== International Repertoire ==&lt;br /&gt;
&lt;br /&gt;
=== Spain ===&lt;br /&gt;
Gardel interpreted:&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Por un cariño&amp;#039;&amp;#039; (habanera) by [[TITAF-P-2776609|Gerardo Alcázar]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Las flores de tu balcón&amp;#039;&amp;#039; (pasodoble) by [[TITAF-P-3270607|Fernando Catalán]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Valencia&amp;#039;&amp;#039; (pasodoble) by [[TITAF-P-2950816|Nicolás Verona]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Trianera&amp;#039;&amp;#039; by [[TITAF-P-3917655|Ginés Miralles]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Sevilla&amp;#039;&amp;#039; by [[TITAF-P-2065521|Enrique Delfino]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Puñadito de sal&amp;#039;&amp;#039; by Verona&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Los ojos de mi moza&amp;#039;&amp;#039; (jota) with [[TITAF-P-3956376|Alfredo Le Pera]]&lt;br /&gt;
&lt;br /&gt;
=== Portugal ===&lt;br /&gt;
Gardel recorded four fados:&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Caprichosa&amp;#039;&amp;#039; by [[TITAF-P-2265868|Froilán Aguilar]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;De mi tierra&amp;#039;&amp;#039; by [[TITAF-P-9916969|Pedro Numa Córdoba]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Mi bien querido&amp;#039;&amp;#039; by [[TITAF-P-8691562|José Ricardo]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Mi china&amp;#039;&amp;#039; by [[TITAF-P-9821147|Juan Rodríguez]] and [[TITAF-P-6566956|Luis Roldán]]&lt;br /&gt;
&lt;br /&gt;
=== Brazil ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;La criolla&amp;#039;&amp;#039; – based on Brazilian folklore, adapted by Gardel and Razzano&lt;br /&gt;
&lt;br /&gt;
=== Peru ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Angustias&amp;#039;&amp;#039; – anonymous vals&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;¡Ay, Aurora!&amp;#039;&amp;#039; – poem by Federico Barreto Bustíos&lt;br /&gt;
&lt;br /&gt;
=== Colombia ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Mis perros&amp;#039;&amp;#039;, &amp;#039;&amp;#039;El vagabundo&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Rumores&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Asómate a la ventana&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Rumores&amp;#039;&amp;#039; later adapted as a tango by Gardel and Razzano&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Mis perros&amp;#039;&amp;#039; → &amp;#039;&amp;#039;Mi alhaja&amp;#039;&amp;#039; / &amp;#039;&amp;#039;Medallita de la suerte&amp;#039;&amp;#039; (1933, lyrics by Mario Batistella)&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Mis flores negras&amp;#039;&amp;#039; by [[TITAF-P-5322095|Julio Flórez]]&lt;br /&gt;
&lt;br /&gt;
=== Mexico ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Cielito lindo&amp;#039;&amp;#039; by Quirino Mendoza y Cortés → &amp;#039;&amp;#039;Cielito mío&amp;#039;&amp;#039; (adapted by [[TITAF-P-6714838|Osvaldo]] and [[TITAF-P-6862508|Emilio Fresedo]])&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;La casita&amp;#039;&amp;#039; by José Manuel Othón – echoed in &amp;#039;&amp;#039;Sacate la caretita&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Compadrón&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
=== Cuba ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Por tus ojos negros&amp;#039;&amp;#039; – rumba-habanera by Don Aspiazu&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Sol tropical&amp;#039;&amp;#039; – by Gardel, Terig Tucci, and Le Pera&lt;br /&gt;
&lt;br /&gt;
=== Chile ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;La yegüecita&amp;#039;&amp;#039; (cueca)&lt;br /&gt;
&lt;br /&gt;
=== United States ===&lt;br /&gt;
Gardel recorded 19 shimmies and foxtrots, including:&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Yo no puedo vivir sin amor&amp;#039;&amp;#039; – Charles G. Gabaroche&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;La danza de las libélulas&amp;#039;&amp;#039; – Franz Lehár&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Tutankamon&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Pero hay una melena&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Oh París&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Reyes del aire&amp;#039;&amp;#039; – all by [[TITAF-P-3684773|José Bohr]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;La sulamita&amp;#039;&amp;#039; – Francisco Canaro&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Hola señorita&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Gran Buda&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Circe&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Qué lindo es el shimmy&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Sonrisas&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Yes, We Have No Bananas&amp;#039;&amp;#039; → &amp;#039;&amp;#039;Poupée de Estambul&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Manos brujas&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;La hija de japonesita&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Yo nací para ti, tú serás para mí&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Amor pagano&amp;#039;&amp;#039; by Herb Brown&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Je te dirai&amp;#039;&amp;#039; – by [[TITAF-P-2136080|Michel Emer]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Rubias de Nueva York&amp;#039;&amp;#039; – with [[TITAF-P-3956376|Alfredo Le Pera]]&lt;br /&gt;
&lt;br /&gt;
=== Italy ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Il piccolo navío&amp;#039;&amp;#039; – tango with Neapolitan melody&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Come se canta a Napule&amp;#039;&amp;#039; – sung in Neapolitan dialect&lt;br /&gt;
&lt;br /&gt;
=== France ===&lt;br /&gt;
Gardel performed:&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Je te dirai&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Folie&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Madame, c’est vous&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Dejà&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Parlez-moi d’amour&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Las campanas&amp;#039;&amp;#039; – later retitled &amp;#039;&amp;#039;Tú y yo&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
=== Germany / Russia ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Ich küsse ihre Hand, Madame&amp;#039;&amp;#039; – translated as &amp;#039;&amp;#039;Yo beso vuestra mano señora&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Sonia&amp;#039;&amp;#039; – Russian ballad recorded in Spanish&lt;br /&gt;
&lt;br /&gt;
=== England ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Hay una virgen&amp;#039;&amp;#039; – adaptation of Byron’s To Jeny, translated by Manuel María Flores&lt;br /&gt;
&lt;br /&gt;
=== Mabel Wayne (U.S.) ===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;En un pueblito español&amp;#039;&amp;#039; – Spanish version by [[TITAF-P-1877483|Rogelio Ferreyra]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Ramona&amp;#039;&amp;#039; – version by [[TITAF-P-8403637|Enrique Cadícamo]]&lt;br /&gt;
&lt;br /&gt;
== Conclusion ==&lt;br /&gt;
Carlos Gardel’s career was far more diverse than commonly acknowledged. His repertoire traversed genres, continents, and languages, making him not just the voice of tango but a global ambassador of song. His discography invites rediscovery and deep listening, even eighty years after his death.&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&lt;br /&gt;
Segovia, J. A.&lt;br /&gt;
&lt;br /&gt;
Puga, B.&lt;br /&gt;
&lt;br /&gt;
Valencia, A. – El universo del tango, vols. 15, 19, 20&lt;br /&gt;
&lt;br /&gt;
Selles, R.&lt;br /&gt;
&lt;br /&gt;
Greco, O.&lt;br /&gt;
&lt;br /&gt;
Rico Salazar, J.&lt;/div&gt;</summary>
		<author><name>Donxello</name></author>
	</entry>
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