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	<title>Multiband Compressor - Revision history</title>
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	<updated>2026-06-15T08:34:05Z</updated>
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		<title>Donxello: Created page with &quot;= Multiband Compressor = Category:Audio Basics  A &#039;&#039;&#039;multiband compressor&#039;&#039;&#039; is an advanced type of compressor that splits the audio signal into multiple frequency bands, each with its own compression settings. This allows more precise dynamic control.  == Why Use Multiband Compression? == Different frequency ranges behave differently. A multiband compressor can: * Tame harsh highs without affecting the low end * Control boomy bass without squashing vocals * De-ess o...&quot;</title>
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		<updated>2025-05-15T04:54:15Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;= Multiband Compressor = &lt;a href=&quot;/wiki/Category:Audio_Basics&quot; title=&quot;Category:Audio Basics&quot;&gt;Category:Audio Basics&lt;/a&gt;  A &amp;#039;&amp;#039;&amp;#039;multiband compressor&amp;#039;&amp;#039;&amp;#039; is an advanced type of compressor that splits the audio signal into multiple frequency bands, each with its own compression settings. This allows more precise dynamic control.  == Why Use Multiband Compression? == Different frequency ranges behave differently. A multiband compressor can: * Tame harsh highs without affecting the low end * Control boomy bass without squashing vocals * De-ess o...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;= Multiband Compressor =&lt;br /&gt;
[[Category:Audio Basics]]&lt;br /&gt;
&lt;br /&gt;
A &amp;#039;&amp;#039;&amp;#039;multiband compressor&amp;#039;&amp;#039;&amp;#039; is an advanced type of compressor that splits the audio signal into multiple frequency bands, each with its own compression settings. This allows more precise dynamic control.&lt;br /&gt;
&lt;br /&gt;
== Why Use Multiband Compression? ==&lt;br /&gt;
Different frequency ranges behave differently. A multiband compressor can:&lt;br /&gt;
* Tame harsh highs without affecting the low end&lt;br /&gt;
* Control boomy bass without squashing vocals&lt;br /&gt;
* De-ess or enhance specific tonal areas&lt;br /&gt;
&lt;br /&gt;
== Common Bands ==&lt;br /&gt;
A typical setup might include:&lt;br /&gt;
* Low (20–120 Hz)&lt;br /&gt;
* Low-Mid (120–1000 Hz)&lt;br /&gt;
* High-Mid (1k–4k Hz)&lt;br /&gt;
* High (4k–20k Hz)&lt;br /&gt;
&lt;br /&gt;
== Independent Controls Per Band ==&lt;br /&gt;
Each band usually has:&lt;br /&gt;
* Threshold&lt;br /&gt;
* Ratio&lt;br /&gt;
* Attack / Release&lt;br /&gt;
* Gain (for post-compression adjustment)&lt;br /&gt;
* Solo / Bypass / Mute options&lt;br /&gt;
&lt;br /&gt;
== Applications ==&lt;br /&gt;
* Mastering: fine-tuning the dynamics across the spectrum&lt;br /&gt;
* Broadcast: ensuring consistency across diverse content&lt;br /&gt;
* Live sound: isolating problem frequencies without over-compressing&lt;br /&gt;
* Vocals and instruments with wide tonal range&lt;br /&gt;
&lt;br /&gt;
== Example Use Case ==&lt;br /&gt;
You may compress only the high band to reduce hiss (e.g., tape or shellac noise), leaving bass and mids untouched — a typical setting in hiss reduction presets.&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Compressor]]&lt;br /&gt;
* [[Equalizer]]&lt;br /&gt;
* [[Limiter]]&lt;/div&gt;</summary>
		<author><name>Donxello</name></author>
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