TITAF-P-3496011 - Revision history

Donxello at 18:22, 15 May 2025

2025-05-15T18:22:33Z

← Older revision		Revision as of 18:22, 15 May 2025
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	== Political Exile and Life Abroad ==		== Political Exile and Life Abroad ==

	A strong supporter of Juan Perón, Attadía went into exile following the 1955 coup. He settled in Caracas, Venezuela, where he continued to perform and record. According to his own recollections, he missed the golden era of Buenos Aires tango deeply but found some solace working alongside artists such as [[TITAF-P-3059129)\|Agustín Irusta]].<ref name="tangosalbardo" />		A strong supporter of Juan Perón, Attadía went into exile following the 1955 coup. He settled in Caracas, Venezuela, where he continued to perform and record. According to his own recollections, he missed the golden era of Buenos Aires tango deeply but found some solace working alongside artists such as [[TITAF-P-3059129\|Agustín Irusta]].<ref name="tangosalbardo" />

	== As Orchestra Leader ==		== As Orchestra Leader ==

Donxello at 13:46, 15 May 2025

2025-05-15T13:46:29Z

← Older revision		Revision as of 13:46, 15 May 2025
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	Attadía made his debut at the age of 17, playing in a women’s orchestra at Confitería París in San Martín. His early steps in the tango world included stints with the orchestras of [[TITAF-P-4591786\|Alberto Pugliese]] and [[TITAF-P-3164608\|Ricardo Malerba]]. In 1933, he joined the [[TITAF-G-0000734\|Sexteto de Alfredo Gobbi]], where he performed alongside a young [[TITAF-P-7008908\|Aníbal Troilo]], [[TITAF-P-7149025\|Orlando Goñi]], and [[TITAF-P-9712913\|Agustín Furchi]].<ref name="todotango" />		Attadía made his debut at the age of 17, playing in a women’s orchestra at Confitería París in San Martín. His early steps in the tango world included stints with the orchestras of [[TITAF-P-4591786\|Alberto Pugliese]] and [[TITAF-P-3164608\|Ricardo Malerba]]. In 1933, he joined the [[TITAF-G-0000734\|Sexteto de Alfredo Gobbi]], where he performed alongside a young [[TITAF-P-7008908\|Aníbal Troilo]], [[TITAF-P-7149025\|Orlando Goñi]], and [[TITAF-P-9712913\|Agustín Furchi]].<ref name="todotango" />

	Later, he co-founded the short-lived Típica Florida with pianist [[~~Alfredo De Angelis (~~TITAF-P-4803665)]], and went on to join [[~~Rodolfo Biagi (~~TITAF-P-6058791)]]’s newly formed orchestra, where he made his first arrangements. He briefly played in the orchestra of [[~~Armando Baliotti (~~TITAF-P-8201669)]], who reportedly dubbed him el bandoneón de oro — the golden bandoneon.<ref name="tangosalbardo">Tangosalbardo, "[https://tangosalbardo.blogspot.com/2014/11/alfredo-attadia.html Alfredo Attadía]," TangoSalbardo Blog, 2014</ref>		Later, he co-founded the short-lived Típica Florida with pianist [[TITAF-P-4803665\|Alfredo De Angelis]], and went on to join [[TITAF-P-6058791\|Rodolfo Biagi]]’s newly formed orchestra, where he made his first arrangements. He briefly played in the orchestra of [[TITAF-P-8201669\|Armando Baliotti]], who reportedly dubbed him el bandoneón de oro — the golden bandoneon.<ref name="tangosalbardo">Tangosalbardo, "[https://tangosalbardo.blogspot.com/2014/11/alfredo-attadia.html Alfredo Attadía]," TangoSalbardo Blog, 2014</ref>

	== Rise to Fame with D’Agostino ==		== Rise to Fame with D’Agostino ==

	Attadía's career took a decisive turn when he was invited to join the orchestra of [[~~Ángel D'Agostino (~~TITAF-P-4667488)]] as lead bandoneonist and arranger. There, he formed a key creative alliance with singer [[~~Ángel Vargas (~~TITAF-P-8088375)]]. Together with [[~~Enrique Cadícamo (~~TITAF-P-8403637)]], they created the immortal tango [[~~Tres esquinas (~~TITAF-T-0004599)]], which became a staple of milongas worldwide.<ref name="tangosalbardo" />		Attadía's career took a decisive turn when he was invited to join the orchestra of [[TITAF-P-4667488\|Ángel D'Agostino]] as lead bandoneonist and arranger. There, he formed a key creative alliance with singer [[TITAF-P-8088375\|Ángel Vargas]]. Together with [[TITAF-P-8403637\|Enrique Cadícamo]], they created the immortal tango [[TITAF-T-0004599\|Tres esquinas]], which became a staple of milongas worldwide.<ref name="tangosalbardo" />

	Despite musical success, tensions emerged when Attadía and Vargas left D’Agostino’s orchestra in 1943 to form their own ensemble. The collaboration was short-lived, and Vargas soon returned to D’Agostino. Attadía kept the musicians and toured Uruguay for a year before returning to Argentina, where he continued performing with singers such as [[~~Aldo Campoamor (~~TITAF-P-6359614)]] and later [[~~Héctor Pacheco (~~TITAF-P-8556513)]].<ref name="todotango" />		Despite musical success, tensions emerged when Attadía and Vargas left D’Agostino’s orchestra in 1943 to form their own ensemble. The collaboration was short-lived, and Vargas soon returned to D’Agostino. Attadía kept the musicians and toured Uruguay for a year before returning to Argentina, where he continued performing with singers such as [[TITAF-P-6359614\|Aldo Campoamor]] and later [[TITAF-P-8556513\|Héctor Pacheco]].<ref name="todotango" />

	== Political Exile and Life Abroad ==		== Political Exile and Life Abroad ==

	A strong supporter of Juan Perón, Attadía went into exile following the 1955 coup. He settled in Caracas, Venezuela, where he continued to perform and record. According to his own recollections, he missed the golden era of Buenos Aires tango deeply but found some solace working alongside artists such as [[~~Agustín Irusta (~~TITAF-P-3059129)]].<ref name="tangosalbardo" />		A strong supporter of Juan Perón, Attadía went into exile following the 1955 coup. He settled in Caracas, Venezuela, where he continued to perform and record. According to his own recollections, he missed the golden era of Buenos Aires tango deeply but found some solace working alongside artists such as [[TITAF-P-3059129)\|Agustín Irusta]].<ref name="tangosalbardo" />

	== As Orchestra Leader ==		== As Orchestra Leader ==

	Attadía led his own orchestra with considerable success. He recorded widely, including tangos like [[~~El Yacaré (~~TITAF-T-0023648)]], co-written with [[~~Mario Soto (~~TITAF-P-8909835)]], interpreted by [[~~Armando Moreno (~~TITAF-P-5622833)]]. His ensemble also featured singers such as [[~~Enzo Valentino (~~TITAF-P-7503321)]], [[~~Héctor Pacheco (~~TITAF-P-8556513)]], and [[~~Jorge Beiró (~~TITAF-P-1805545)]]. Notable performances included appearances at Radio El Mundo, Radio Belgrano, the Chantecler Cabaret, the Dancing Ocean, and the Moulin Rouge.<ref name="todotango" /><ref name="tangosalbardo" />		Attadía led his own orchestra with considerable success. He recorded widely, including tangos like [[TITAF-T-0023648\|El Yacaré]], co-written with [[TITAF-P-8909835\|Mario Soto]], interpreted by [[TITAF-P-5622833\|Armando Moreno]]. His ensemble also featured singers such as [[TITAF-P-7503321\|Enzo Valentino]], [[TITAF-P-8556513\|Héctor Pacheco]], and [[TITAF-P-1805545\|Jorge Beiró]]. Notable performances included appearances at Radio El Mundo, Radio Belgrano, the Chantecler Cabaret, the Dancing Ocean, and the Moulin Rouge.<ref name="todotango" /><ref name="tangosalbardo" />

	== Legacy ==		== Legacy ==

Donxello at 13:42, 15 May 2025

2025-05-15T13:42:56Z

← Older revision		Revision as of 13:42, 15 May 2025
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	== Early Career ==		== Early Career ==

	Attadía made his debut at the age of 17, playing in a women’s orchestra at Confitería París in San Martín. His early steps in the tango world included stints with the orchestras of [[~~Alberto Pugliese (~~TITAF-P-4591786)]] and [[~~Ricardo Malerba (~~TITAF-P-3164608)]]. In 1933, he joined the [[~~Sexteto de Alfredo Gobbi (~~TITAF-G-0000734)]], where he performed alongside a young [[~~Aníbal Troilo (~~TITAF-P-7008908)]], [[~~Orlando Goñi (~~TITAF-P-7149025)]], and [[~~Agustín Furchi (~~TITAF-P-9712913)]].<ref name="todotango" />		Attadía made his debut at the age of 17, playing in a women’s orchestra at Confitería París in San Martín. His early steps in the tango world included stints with the orchestras of [[TITAF-P-4591786\|Alberto Pugliese]] and [[TITAF-P-3164608\|Ricardo Malerba]]. In 1933, he joined the [[TITAF-G-0000734\|Sexteto de Alfredo Gobbi]], where he performed alongside a young [[TITAF-P-7008908\|Aníbal Troilo]], [[TITAF-P-7149025\|Orlando Goñi]], and [[TITAF-P-9712913\|Agustín Furchi]].<ref name="todotango" />

	Later, he co-founded the short-lived Típica Florida with pianist [[Alfredo De Angelis (TITAF-P-4803665)]], and went on to join [[Rodolfo Biagi (TITAF-P-6058791)]]’s newly formed orchestra, where he made his first arrangements. He briefly played in the orchestra of [[Armando Baliotti (TITAF-P-8201669)]], who reportedly dubbed him el bandoneón de oro — the golden bandoneon.<ref name="tangosalbardo">Tangosalbardo, "[https://tangosalbardo.blogspot.com/2014/11/alfredo-attadia.html Alfredo Attadía]," TangoSalbardo Blog, 2014</ref>		Later, he co-founded the short-lived Típica Florida with pianist [[Alfredo De Angelis (TITAF-P-4803665)]], and went on to join [[Rodolfo Biagi (TITAF-P-6058791)]]’s newly formed orchestra, where he made his first arrangements. He briefly played in the orchestra of [[Armando Baliotti (TITAF-P-8201669)]], who reportedly dubbed him el bandoneón de oro — the golden bandoneon.<ref name="tangosalbardo">Tangosalbardo, "[https://tangosalbardo.blogspot.com/2014/11/alfredo-attadia.html Alfredo Attadía]," TangoSalbardo Blog, 2014</ref>

Donxello at 13:41, 15 May 2025

2025-05-15T13:41:20Z

← Older revision		Revision as of 13:41, 15 May 2025
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	\|wikidataID=Q30118651		\|wikidataID=Q30118651
	\|Todotango_links=https://www.todotango.com/creadores/ficha/639/Alfredo-Attadia		\|Todotango_links=https://www.todotango.com/creadores/ficha/639/Alfredo-Attadia
	\|PersonFreeText='''Alfredo Attadía''' was an Argentine bandoneonist, arranger, and composer, renowned for his powerful milonguero phrasing and contributions to some of the most emblematic tango orchestras of the 20th century. Born in the San Andrés neighborhood of San Martín, Buenos Aires Province, he was the son of Italian immigrants. His father supported his early musical interest by purchasing a used bandoneon and arranging lessons with Agustín Dellafranca [1].		\|PersonFreeText='''Alfredo Attadía''' was an Argentine bandoneonist, arranger, and composer, renowned for his powerful milonguero phrasing and contributions to some of the most emblematic tango orchestras of the 20th century. Born in the San Andrés neighborhood of San Martín, Buenos Aires Province, he was the son of Italian immigrants. His father supported his early musical interest by purchasing a used bandoneon and arranging lessons with Agustín Dellafranca.<ref name="todotango">Abel Palermo, "[https://www.todotango.com/creadores/biografia/934/Alfredo-Attadia/ Alfredo Attadía]," TodoTango.com</ref>

	== Early Career ==		== Early Career ==

	Attadía made his debut at the age of 17, playing in a women’s orchestra at Confitería París in San Martín. His early steps in the tango world included stints with the orchestras of [[Alberto Pugliese (TITAF-P-4591786)]] and [[Ricardo Malerba (TITAF-P-3164608)]]. In 1933, he joined the [[Sexteto de Alfredo Gobbi (TITAF-G-0000734)]], where he performed alongside a young [[Aníbal Troilo (TITAF-P-7008908)]], [[Orlando Goñi (TITAF-P-7149025)]], and [[Agustín Furchi (TITAF-P-9712913)]~~] [2~~].		Attadía made his debut at the age of 17, playing in a women’s orchestra at Confitería París in San Martín. His early steps in the tango world included stints with the orchestras of [[Alberto Pugliese (TITAF-P-4591786)]] and [[Ricardo Malerba (TITAF-P-3164608)]]. In 1933, he joined the [[Sexteto de Alfredo Gobbi (TITAF-G-0000734)]], where he performed alongside a young [[Aníbal Troilo (TITAF-P-7008908)]], [[Orlando Goñi (TITAF-P-7149025)]], and [[Agustín Furchi (TITAF-P-9712913)]].<ref name="todotango" />

	Later, he co-founded the short-lived Típica Florida with pianist [[Alfredo De Angelis (TITAF-P-4803665)]], and went on to join [[Rodolfo Biagi (TITAF-P-6058791)]]’s newly formed orchestra, where he made his first arrangements. He briefly played in the orchestra of [[Armando Baliotti (TITAF-P-8201669)]], who reportedly dubbed him el bandoneón de oro — the golden bandoneon [2].		Later, he co-founded the short-lived Típica Florida with pianist [[Alfredo De Angelis (TITAF-P-4803665)]], and went on to join [[Rodolfo Biagi (TITAF-P-6058791)]]’s newly formed orchestra, where he made his first arrangements. He briefly played in the orchestra of [[Armando Baliotti (TITAF-P-8201669)]], who reportedly dubbed him el bandoneón de oro — the golden bandoneon.<ref name="tangosalbardo">Tangosalbardo, "[https://tangosalbardo.blogspot.com/2014/11/alfredo-attadia.html Alfredo Attadía]," TangoSalbardo Blog, 2014</ref>

	== Rise to Fame with D’Agostino ==		== Rise to Fame with D’Agostino ==

	Attadía's career took a decisive turn when he was invited to join the orchestra of [[Ángel D'Agostino (TITAF-P-4667488)]] as lead bandoneonist and arranger. There, he formed a key creative alliance with singer [[Ángel Vargas (TITAF-P-8088375)]]. Together with [[Enrique Cadícamo (TITAF-P-8403637)]], they created the immortal tango [[Tres esquinas (TITAF-T-0004599)]], which became a staple of milongas worldwide ~~[2]~~.		Attadía's career took a decisive turn when he was invited to join the orchestra of [[Ángel D'Agostino (TITAF-P-4667488)]] as lead bandoneonist and arranger. There, he formed a key creative alliance with singer [[Ángel Vargas (TITAF-P-8088375)]]. Together with [[Enrique Cadícamo (TITAF-P-8403637)]], they created the immortal tango [[Tres esquinas (TITAF-T-0004599)]], which became a staple of milongas worldwide.<ref name="tangosalbardo" />

	Despite musical success, tensions emerged when Attadía and Vargas left D’Agostino’s orchestra in 1943 to form their own ensemble. The collaboration was short-lived, and Vargas soon returned to D’Agostino. Attadía kept the musicians and toured Uruguay for a year before returning to Argentina, where he continued performing with singers such as [[Aldo Campoamor (TITAF-P-6359614)]] and later [[Héctor Pacheco (TITAF-P-8556513)]~~] [1~~].		Despite musical success, tensions emerged when Attadía and Vargas left D’Agostino’s orchestra in 1943 to form their own ensemble. The collaboration was short-lived, and Vargas soon returned to D’Agostino. Attadía kept the musicians and toured Uruguay for a year before returning to Argentina, where he continued performing with singers such as [[Aldo Campoamor (TITAF-P-6359614)]] and later [[Héctor Pacheco (TITAF-P-8556513)]].<ref name="todotango" />

	== Political Exile and Life Abroad ==		== Political Exile and Life Abroad ==

	A strong supporter of Juan Perón, Attadía went into exile following the 1955 coup. He settled in Caracas, Venezuela, where he continued to perform and record. According to his own recollections, he missed the golden era of Buenos Aires tango deeply but found some solace working alongside artists such as [[Agustín Irusta (TITAF-P-3059129)]~~] [2~~].		A strong supporter of Juan Perón, Attadía went into exile following the 1955 coup. He settled in Caracas, Venezuela, where he continued to perform and record. According to his own recollections, he missed the golden era of Buenos Aires tango deeply but found some solace working alongside artists such as [[Agustín Irusta (TITAF-P-3059129)]].<ref name="tangosalbardo" />

	== As Orchestra Leader ==		== As Orchestra Leader ==

	Attadía led his own orchestra with considerable success. He recorded widely, including tangos like [[El Yacaré (TITAF-T-0023648)]], co-written with [[Mario Soto (TITAF-P-8909835)]], interpreted by [[Armando Moreno (TITAF-P-5622833)]]. His ensemble also featured singers such as [[Enzo Valentino (TITAF-P-7503321)]], [[Héctor Pacheco (TITAF-P-8556513)]], and [[Jorge Beiró (TITAF-P-1805545)]]. Notable performances included appearances at Radio El Mundo, Radio Belgrano, the Chantecler Cabaret, the Dancing Ocean, and the Moulin Rouge ~~[1][2]~~.		Attadía led his own orchestra with considerable success. He recorded widely, including tangos like [[El Yacaré (TITAF-T-0023648)]], co-written with [[Mario Soto (TITAF-P-8909835)]], interpreted by [[Armando Moreno (TITAF-P-5622833)]]. His ensemble also featured singers such as [[Enzo Valentino (TITAF-P-7503321)]], [[Héctor Pacheco (TITAF-P-8556513)]], and [[Jorge Beiró (TITAF-P-1805545)]]. Notable performances included appearances at Radio El Mundo, Radio Belgrano, the Chantecler Cabaret, the Dancing Ocean, and the Moulin Rouge.<ref name="todotango" /><ref name="tangosalbardo" />

	== Legacy ~~and Compositions~~ ==		== Legacy ==

	Attadía passed away in Caracas in 1982 at the age of 68. His legacy endures through his compositions and arrangements.		Attadía passed away in Caracas in 1982 at the age of 68. His legacy endures through his compositions and arrangements.
	== References ==		== References ==
			<references />
	~~[1] Abel Palermo, "Alfredo Attadía", TodoTango.com~~
	~~https:~~/~~/www.todotango.com/creadores/biografia/934/Alfredo-Attadia/~~

	~~[2] TangoSalbardo Blog, “Alfredo Attadía”, tangosalbardo.blogspot.com~~
	~~https://tangosalbardo.blogspot.com/2014/11/alfredo-attadia.html~~
	~~\|instanceOf=human~~
	}}		}}
	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	<noinclude>{{DISPLAYTITLE:Alfredo Attadía}}</noinclude>		<noinclude>{{DISPLAYTITLE:Alfredo Attadía}}</noinclude>

Donxello at 13:38, 15 May 2025

2025-05-15T13:38:45Z

@@ Line 1: / Line 1: @@
 {{Person
 |PersonName=Alfredo Attadía
 |Name_real=Alfredo Adolfo Attadía
 |alternative_search=alfredo attadia;;el bandoneon de oro
-|instanceOf=human
+|genderLabel=male
 |birthDate=1914-01-09
 |deathDate=1982-01-30
 |birthPlaceLabel=San Martín, Buenos Aires
 |birthPlaceCountryLabel=Argentina
 |citizenshipLabel=Argentina
 |Todotango_links=https://www.todotango.com/creadores/ficha/639/Alfredo-Attadia
 }}
 [[Category:TangoPeople]]
 <noinclude>{{DISPLAYTITLE:Alfredo Attadía}}</noinclude>

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2025-05-07T19:15:13Z

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← Older revision		Revision as of 19:15, 7 May 2025
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	{{Person		{{Person
	\|wikidataID=Q30118651		\|wikidataID=Q30118651
	\|~~Name~~=Alfredo Attadía		\|PersonName=Alfredo Attadía
	\|Name_real=Alfredo Adolfo Attadía		\|Name_real=Alfredo Adolfo Attadía
	\|alternative_search=alfredo attadia;;el bandoneon de oro		\|alternative_search=alfredo attadia;;el bandoneon de oro

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	\|Name=Alfredo Attadía		\|Name=Alfredo Attadía
	\|Name_real=Alfredo Adolfo Attadía		\|Name_real=Alfredo Adolfo Attadía
	\|alternative_search=alfredo attadia \|\| el bandoneon de oro		\|alternative_search=alfredo attadia;;el bandoneon de oro
	\|instanceOf=human		\|instanceOf=human
	\|birthDate=1914-01-09		\|birthDate=1914-01-09
	\|deathDate=1982-01-30		\|deathDate=1982-01-30
	~~\|Birth display=9 January 1914~~
	~~\|Death display=30 January 1982~~
	\|genderLabel=male		\|genderLabel=male
	\|Pseudonyms-nicknames=El Bandoneón de Oro		\|Pseudonyms-nicknames=El Bandoneón de Oro
	~~\|Pseudonyms-nicknames display=El Bandoneón de Oro~~		\|Occupation=bandoneonist;;composer;;conductor
	~~\|Occupation=bandoneonist \|\| composer \|\| conductor~~
	\|Occupation ~~display~~=bandoneonist~~<br />~~composer~~<br />~~conductor
	\|instrument=bandoneon		\|instrument=bandoneon
	~~\|instrument display=bandoneon~~
	\|birthPlaceLabel=San Martín, Buenos Aires		\|birthPlaceLabel=San Martín, Buenos Aires
	\|birthPlaceCountryLabel=Argentina		\|birthPlaceCountryLabel=Argentina
	\|citizenshipLabel=Argentina		\|citizenshipLabel=Argentina
	~~\|citizenshipLabel display=Argentina~~
	\|Todotango_links=https://www.todotango.com/creadores/ficha/639/Alfredo-Attadia		\|Todotango_links=https://www.todotango.com/creadores/ficha/639/Alfredo-Attadia
	}}		}}
	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	<noinclude>{{DISPLAYTITLE:Alfredo Attadía}}</noinclude>		<noinclude>{{DISPLAYTITLE:Alfredo Attadía}}</noinclude>

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	}}		}}
	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	~~[[Main Page]]~~		<noinclude>{{DISPLAYTITLE:Alfredo Attadía}}</noinclude>

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	\|Name=Alfredo Attadía		\|Name=Alfredo Attadía
	\|Name_real=Alfredo Adolfo Attadía		\|Name_real=Alfredo Adolfo Attadía
			\|alternative_search=alfredo attadia \|\| el bandoneon de oro
	\|instanceOf=human		\|instanceOf=human
	\|birthDate=1914-01-09		\|birthDate=1914-01-09

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	\|genderLabel=male		\|genderLabel=male
	\|Pseudonyms-nicknames=El Bandoneón de Oro		\|Pseudonyms-nicknames=El Bandoneón de Oro
			\|Pseudonyms-nicknames display=El Bandoneón de Oro
	\|Occupation=bandoneonist \|\| composer \|\| conductor		\|Occupation=bandoneonist \|\| composer \|\| conductor
			\|Occupation display=bandoneonist<br />composer<br />conductor
	\|instrument=bandoneon		\|instrument=bandoneon
			\|instrument display=bandoneon
	\|birthPlaceLabel=San Martín, Buenos Aires		\|birthPlaceLabel=San Martín, Buenos Aires
	\|birthPlaceCountryLabel=Argentina		\|birthPlaceCountryLabel=Argentina
	\|citizenshipLabel=Argentina		\|citizenshipLabel=Argentina
			\|citizenshipLabel display=Argentina
	\|Todotango_links=https://www.todotango.com/creadores/ficha/639/Alfredo-Attadia		\|Todotango_links=https://www.todotango.com/creadores/ficha/639/Alfredo-Attadia
	}}		}}
	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	[[Main Page]]		[[Main Page]]