TITAF-P-5940916 - Revision history

Donxello at 16:10, 17 June 2025

2025-06-17T16:10:33Z

← Older revision		Revision as of 16:10, 17 June 2025
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	{{Person		{{Person
	~~\|wikidataID=Q55460179~~
	\|PersonName=Rubén Cané		\|PersonName=Rubén Cané
	\|Name_real=León Rubén Cleriere		\|Name_real=León Rubén Cleriere
	\|alternative_search=ruben cane		\|alternative_search=ruben cane
	\|~~instanceOf~~=~~human~~		\|genderLabel=male
	\|birthDate=1927-05-25		\|birthDate=1927-05-25
	\|deathDate=2012-09-05		\|deathDate=2012-09-05
	\|~~genderLabel~~=~~male~~		\|birthPlaceLabel=Buenos Aires, Buenos Aires
			\|birthPlaceCountryLabel=Argentina
	\|Occupation=singer		\|Occupation=singer
	\|instrument=voice		\|instrument=voice
	\|~~birthPlaceLabel~~=~~Buenos Aires, Buenos Aires~~		\|wikidataID=Q55460179
	~~\|birthPlaceCountryLabel=Argentina~~
	\|Todotango_links=https://www.todotango.com/creadores/ficha/716/Ruben-Cane		\|Todotango_links=https://www.todotango.com/creadores/ficha/716/Ruben-Cane
	\|PersonFreeText='''Rubén Cané''' was an Argentine tango singer known for his delicate phrasing, precise intonation, and the soft vocal style that became a hallmark of the 1940s. Without directly imitating him, his delivery often evoked comparisons to Ángel Vargas, the emblematic voice of [[TITAF-G-0000869\|Ángel D'Agostino’s reassembled orchestra]].		\|PersonFreeText='''Rubén Cané''' was an Argentine tango singer known for his delicate phrasing, precise intonation, and the soft vocal style that became a hallmark of the 1940s. Without directly imitating him, his delivery often evoked comparisons to Ángel Vargas, the emblematic voice of [[TITAF-G-0000869\|Ángel D'Agostino’s reassembled orchestra]].
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	The most significant chapter of his career unfolded between 1951 and 1957, when he joined [[TITAF-G-0000869\|Ángel D'Agostino’s]] newly formed orchestra. Alongside vocalists [[TITAF-P-4879673\|Tino García]] and [[TITAF-P-4782200\|Ricardo Ruiz]] (formerly of [[TITAF-G-0001206\|Osvaldo Fresedo’s orchestra]]), Cané contributed to ten recordings. Notable titles include ''Polvorín'', ''Se llamaba Eduardo Arolas'', and ''Mi distinguida pebeta''. His duet with García on ''Tiento crudo'' is also noteworthy.		The most significant chapter of his career unfolded between 1951 and 1957, when he joined [[TITAF-G-0000869\|Ángel D'Agostino’s]] newly formed orchestra. Alongside vocalists [[TITAF-P-4879673\|Tino García]] and [[TITAF-P-4782200\|Ricardo Ruiz]] (formerly of [[TITAF-G-0001206\|Osvaldo Fresedo’s orchestra]]), Cané contributed to ten recordings. Notable titles include ''Polvorín'', ''Se llamaba Eduardo Arolas'', and ''Mi distinguida pebeta''. His duet with García on ''Tiento crudo'' is also noteworthy.

	After parting ways with D’Agostino, Cané performed with the bandoneonist Graciano Gómez and singer Elena Maida, then joined the ensemble of [[TITAF-P-4821601\|Víctor Braña]], where he recorded a tango-style version of the bolero ''Nuestro juramento''. He also became part of the permanent orchestra of Argentina’s Channel 7 television.		After parting ways with D’Agostino, Cané performed with the bandoneonist Graciano Gómez and singer [[TITAF-P-1001808\|Elena Maida]], then joined the ensemble of [[TITAF-P-4821601\|Víctor Braña]], where he recorded a tango-style version of the bolero ''Nuestro juramento''. He also became part of the permanent orchestra of Argentina’s Channel 7 television.

	Later, Cané formed his own group called ''Rubén Cané y su TBC del Tango'', featuring [[TITAF-P-7164179\|Aníbal Arias]] on guitar, Rubén Milton on piano, and El Negro Picton on double bass. The group released two recordings: ''Tan sólo un loco amor'' and ''Quiero verte una vez más''.		Later, Cané formed his own group called ''Rubén Cané y su TBC del Tango'', featuring [[TITAF-P-7164179\|Aníbal Arias]] on guitar, Rubén Milton on piano, and El Negro Picton on double bass. The group released two recordings: ''Tan sólo un loco amor'' and ''Quiero verte una vez más''.
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	''Summary based on a [https://www.todotango.com/creadores/biografia/1239/Ruben-Cane/ biography published in TodoTango].''		''Summary based on a [https://www.todotango.com/creadores/biografia/1239/Ruben-Cane/ biography published in TodoTango].''
			\|instanceOf=human
	}}		}}

	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	<noinclude>{{DISPLAYTITLE:Rubén Cané}}</noinclude>		<noinclude>{{DISPLAYTITLE:Rubén Cané}}</noinclude>

Donxello: Text replacement - "|Name=" to "|PersonName="

2025-05-07T19:48:08Z

Text replacement - "|Name=" to "|PersonName="

← Older revision		Revision as of 19:48, 7 May 2025
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	{{Person		{{Person
	\|wikidataID=Q55460179		\|wikidataID=Q55460179
	\|~~Name~~=Rubén Cané		\|PersonName=Rubén Cané
	\|Name_real=León Rubén Cleriere		\|Name_real=León Rubén Cleriere
	\|alternative_search=ruben cane		\|alternative_search=ruben cane

Donxello at 02:09, 21 April 2025

2025-04-21T02:09:45Z

← Older revision		Revision as of 02:09, 21 April 2025
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	\|birthPlaceCountryLabel=Argentina		\|birthPlaceCountryLabel=Argentina
	\|Todotango_links=https://www.todotango.com/creadores/ficha/716/Ruben-Cane		\|Todotango_links=https://www.todotango.com/creadores/ficha/716/Ruben-Cane
	}}		\|PersonFreeText='''Rubén Cané''' was an Argentine tango singer known for his delicate phrasing, precise intonation, and the soft vocal style that became a hallmark of the 1940s. Without directly imitating him, his delivery often evoked comparisons to Ángel Vargas, the emblematic voice of [[TITAF-G-0000869\|Ángel D'Agostino’s reassembled orchestra]].

	'''Rubén Cané''' was an Argentine tango singer known for his delicate phrasing, precise intonation, and the soft vocal style that became a hallmark of the 1940s. Without directly imitating him, his delivery often evoked comparisons to Ángel Vargas, the emblematic voice of [[TITAF-G-0000869\|Ángel D'Agostino’s reassembled orchestra]].

	Born in the La Paternal neighborhood of Buenos Aires, Cané spent his later years in Mar del Plata. He began his musical career in 1947 in San Miguel, Buenos Aires Province, singing with Nicolás Lanzoni’s group. In 1949, he joined Alejandro Scarpino’s ''Cuarteto Espectacular Buenos Aires'', performing with notable musicians like Roque Di Sarli and [[TITAF-P-2647295\|Mario Canaro]].		Born in the La Paternal neighborhood of Buenos Aires, Cané spent his later years in Mar del Plata. He began his musical career in 1947 in San Miguel, Buenos Aires Province, singing with Nicolás Lanzoni’s group. In 1949, he joined Alejandro Scarpino’s ''Cuarteto Espectacular Buenos Aires'', performing with notable musicians like Roque Di Sarli and [[TITAF-P-2647295\|Mario Canaro]].
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	''Summary based on a [https://www.todotango.com/creadores/biografia/1239/Ruben-Cane/ biography published in TodoTango].''		''Summary based on a [https://www.todotango.com/creadores/biografia/1239/Ruben-Cane/ biography published in TodoTango].''
			}}

	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	<noinclude>{{DISPLAYTITLE:Rubén Cané}}</noinclude>		<noinclude>{{DISPLAYTITLE:Rubén Cané}}</noinclude>

Donxello at 18:01, 20 April 2025

2025-04-20T18:01:05Z

← Older revision		Revision as of 18:01, 20 April 2025
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	}}		}}


	~~[[Category:TangoPeople]]~~
	~~<noinclude>{{DISPLAYTITLE:Rubén Cané}}</noinclude>~~
	'''Rubén Cané''' was an Argentine tango singer known for his delicate phrasing, precise intonation, and the soft vocal style that became a hallmark of the 1940s. Without directly imitating him, his delivery often evoked comparisons to Ángel Vargas, the emblematic voice of [[TITAF-G-0000869\|Ángel D'Agostino’s reassembled orchestra]].		'''Rubén Cané''' was an Argentine tango singer known for his delicate phrasing, precise intonation, and the soft vocal style that became a hallmark of the 1940s. Without directly imitating him, his delivery often evoked comparisons to Ángel Vargas, the emblematic voice of [[TITAF-G-0000869\|Ángel D'Agostino’s reassembled orchestra]].

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	''Summary based on a [https://www.todotango.com/creadores/biografia/1239/Ruben-Cane/ biography published in TodoTango].''		''Summary based on a [https://www.todotango.com/creadores/biografia/1239/Ruben-Cane/ biography published in TodoTango].''


			[[Category:TangoPeople]]
			<noinclude>{{DISPLAYTITLE:Rubén Cané}}</noinclude>

Donxello at 17:57, 20 April 2025

2025-04-20T17:57:36Z

← Older revision		Revision as of 17:57, 20 April 2025
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	\|Todotango_links=https://www.todotango.com/creadores/ficha/716/Ruben-Cane		\|Todotango_links=https://www.todotango.com/creadores/ficha/716/Ruben-Cane
	}}		}}


			[[Category:TangoPeople]]
			<noinclude>{{DISPLAYTITLE:Rubén Cané}}</noinclude>
	'''Rubén Cané''' was an Argentine tango singer known for his delicate phrasing, precise intonation, and the soft vocal style that became a hallmark of the 1940s. Without directly imitating him, his delivery often evoked comparisons to Ángel Vargas, the emblematic voice of [[TITAF-G-0000869\|Ángel D'Agostino’s reassembled orchestra]].		'''Rubén Cané''' was an Argentine tango singer known for his delicate phrasing, precise intonation, and the soft vocal style that became a hallmark of the 1940s. Without directly imitating him, his delivery often evoked comparisons to Ángel Vargas, the emblematic voice of [[TITAF-G-0000869\|Ángel D'Agostino’s reassembled orchestra]].

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	''Summary based on a [https://www.todotango.com/creadores/biografia/1239/Ruben-Cane/ biography published in TodoTango].''		''Summary based on a [https://www.todotango.com/creadores/biografia/1239/Ruben-Cane/ biography published in TodoTango].''

	~~[[Category:TangoPeople]]~~
	~~<noinclude>{{DISPLAYTITLE:Rubén Cané}}</noinclude>~~

Donxello at 17:55, 20 April 2025

2025-04-20T17:55:12Z

@@ Line 1: / Line 1: @@
 '''Rubén Cané''' was an Argentine tango singer known for his delicate phrasing, precise intonation, and the soft vocal style that became a hallmark of the 1940s. Without directly imitating him, his delivery often evoked comparisons to Ángel Vargas, the emblematic voice of [[TITAF-G-0000869|Ángel D'Agostino’s reassembled orchestra]].
@@ Line 14: / Line 29: @@
 ''Summary based on a [https://www.todotango.com/creadores/biografia/1239/Ruben-Cane/ biography published in TodoTango].''
-{{Person
 [[Category:TangoPeople]]
 <noinclude>{{DISPLAYTITLE:Rubén Cané}}</noinclude>

Donxello at 17:43, 20 April 2025

2025-04-20T17:43:52Z

← Older revision		Revision as of 17:43, 20 April 2025
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	''Summary based on a [https://www.todotango.com/creadores/biografia/1239/Ruben-Cane/ biography published in TodoTango].''		''Summary based on a [https://www.todotango.com/creadores/biografia/1239/Ruben-Cane/ biography published in TodoTango].''


	{{Person		{{Person
	\|wikidataID=Q55460179		\|wikidataID=Q55460179

Donxello at 17:43, 20 April 2025

2025-04-20T17:43:15Z

@@ Line 1: / Line 1: @@
 {{Person
 |wikidataID=Q55460179
@@ Line 16: / Line 33: @@
 [[Category:TangoPeople]]
 <noinclude>{{DISPLAYTITLE:Rubén Cané}}</noinclude>

Donxello at 17:42, 20 April 2025

2025-04-20T17:42:35Z

← Older revision		Revision as of 17:42, 20 April 2025
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	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	<noinclude>{{DISPLAYTITLE:Rubén Cané}}</noinclude>		<noinclude>{{DISPLAYTITLE:Rubén Cané}}</noinclude>

			'''Rubén Cané''' was an Argentine tango singer known for his delicate phrasing, precise intonation, and the soft vocal style that became a hallmark of the 1940s. Without directly imitating him, his delivery often evoked comparisons to Ángel Vargas, the emblematic voice of [[TITAF-G-0000869\|Ángel D'Agostino’s reassembled orchestra]].

			Born in the La Paternal neighborhood of Buenos Aires, Cané spent his later years in Mar del Plata. He began his musical career in 1947 in San Miguel, Buenos Aires Province, singing with Nicolás Lanzoni’s group. In 1949, he joined Alejandro Scarpino’s ''Cuarteto Espectacular Buenos Aires'', performing with notable musicians like Roque Di Sarli and [[TITAF-P-2647295\|Mario Canaro]].

			The most significant chapter of his career unfolded between 1951 and 1957, when he joined [[TITAF-G-0000869\|Ángel D'Agostino’s]] newly formed orchestra. Alongside vocalists [[TITAF-P-4879673\|Tino García]] and [[TITAF-P-4782200\|Ricardo Ruiz]] (formerly of [[TITAF-G-0001206\|Osvaldo Fresedo’s orchestra]]), Cané contributed to ten recordings. Notable titles include ''Polvorín'', ''Se llamaba Eduardo Arolas'', and ''Mi distinguida pebeta''. His duet with García on ''Tiento crudo'' is also noteworthy.

			After parting ways with D’Agostino, Cané performed with the bandoneonist Graciano Gómez and singer Elena Maida, then joined the ensemble of [[TITAF-P-4821601\|Víctor Braña]], where he recorded a tango-style version of the bolero ''Nuestro juramento''. He also became part of the permanent orchestra of Argentina’s Channel 7 television.

			Later, Cané formed his own group called ''Rubén Cané y su TBC del Tango'', featuring [[TITAF-P-7164179\|Aníbal Arias]] on guitar, Rubén Milton on piano, and El Negro Picton on double bass. The group released two recordings: ''Tan sólo un loco amor'' and ''Quiero verte una vez más''.

			He returned to performing in 1991 with the group ''Son del Sur'' and recorded ten new tracks, including the waltz ''Añoranzas'' and the tango ''Más sólo que nunca''. From 2003, he was part of the Orquesta Estable of the Teatro Colón in Mar del Plata and participated in the shows of the ''Tango Bravo Club'', including ''Los duendes de Fresedo y D'Agostino'' at Café Tortoni.

			Rubén Cané was honored by the Museo Manoblanca with the ''Orden del Buzón'' in recognition of his long-standing contribution to tango. He continued to perform and enchant tango audiences until the end of his life.

			''Summary based on a [https://www.todotango.com/creadores/biografia/1239/Ruben-Cane/ biography published in TodoTango].''

Donxello: CSV import

2025-04-14T02:36:42Z

CSV import

← Older revision		Revision as of 02:36, 14 April 2025
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	\|birthDate=1927-05-25		\|birthDate=1927-05-25
	\|deathDate=2012-09-05		\|deathDate=2012-09-05
	~~\|Birth display=25 May 1927~~
	~~\|Death display=5 September 2012~~
	\|genderLabel=male		\|genderLabel=male
	\|Occupation=singer		\|Occupation=singer
	~~\|Occupation display=singer~~
	\|instrument=voice		\|instrument=voice
	~~\|instrument display=voice~~
	\|birthPlaceLabel=Buenos Aires, Buenos Aires		\|birthPlaceLabel=Buenos Aires, Buenos Aires
	\|birthPlaceCountryLabel=Argentina		\|birthPlaceCountryLabel=Argentina