TITAF-P-6588414 - Revision history

Donxello at 07:08, 21 May 2025

2025-05-21T07:08:01Z

← Older revision		Revision as of 07:08, 21 May 2025
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	<small>''This summary is based on an article by Diego Fischerman – [https://www.eldiarioar.com/opinion/cuartetos-atipicos_129_11340854.html eldiarioar.com], dated May 4, 2024. Diego Fischerman is the author of the blog "[https://xn--sonidodesueos-skb.com/ El sonido de los sueños]."''</small>		<small>''This summary is based on an article by Diego Fischerman – [https://www.eldiarioar.com/opinion/cuartetos-atipicos_129_11340854.html eldiarioar.com], dated May 4, 2024. Diego Fischerman is the author of the blog "[https://xn--sonidodesueos-skb.com/ El sonido de los sueños]."''</small>

	The era with the TK label was fundamental for '''[[TITAF-P-7008908\|Aníbal Troilo]]''', marked by the formation of innovative small groups and significant collaborations. During this period, Troilo formed a quartet with '''Roberto Grela''' on guitar, '''Edmundo Zaldívar (son)''' on guitarrón, and '''Kicho Díaz''' on double bass. This quartet debuted in the first recordings in 1953 with the tracks '''''La Cachila''''' and '''''Palomita blanca'''''. In the same year, they recorded '''''A Pedro Maffia''''' and '''''Sobre el pucho''''', although the latter appears cut in many editions.		The era with the TK label was fundamental for '''[[TITAF-P-7008908\|Aníbal Troilo]]''', marked by the formation of innovative small groups and significant collaborations. During this period, Troilo formed a quartet with '''Roberto Grela''' on guitar, '''Edmundo Zaldívar (son)''' on guitarrón, and '''[[TITAF-P-8374382\|Kicho Díaz]]''' on double bass. This quartet debuted in the first recordings in 1953 with the tracks '''''La Cachila''''' and '''''Palomita blanca'''''. In the same year, they recorded '''''A Pedro Maffia''''' and '''''Sobre el pucho''''', although the latter appears cut in many editions.

	In 1954, Troilo and Grela recorded '''''Diablito''''' and '''''Un placer''''' as a trio with Kicho Díaz. In 1955, again as a quartet, they recorded '''''La Cumparsita''''', '''''Nunca tuvo novio''''', '''''Mi refugio''''', '''''A la guardia nueva''''', '''''El abrojito''''', and '''''Guardia nueva'''''. In these recordings, the interplay and call-and-response between Troilo and Grela were outstanding, showcasing great naturalness and virtuosity in their performances.		In 1954, Troilo and Grela recorded '''''Diablito''''' and '''''Un placer''''' as a trio with Kicho Díaz. In 1955, again as a quartet, they recorded '''''La Cumparsita''''', '''''Nunca tuvo novio''''', '''''Mi refugio''''', '''''A la guardia nueva''''', '''''El abrojito''''', and '''''Guardia nueva'''''. In these recordings, the interplay and call-and-response between Troilo and Grela were outstanding, showcasing great naturalness and virtuosity in their performances.
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	In 1962, the quartet reunited with new members: '''Ernesto Báez''' on guitarrón and '''Eugenio Pro''' on double bass, and recorded an LP for the '''RCA Victor''' label titled <i>Troilo-Grela</i>. This album is a testament to Troilo's legacy and his ability to reinvent himself and explore new musical horizons.		In 1962, the quartet reunited with new members: '''Ernesto Báez''' on guitarrón and '''Eugenio Pro''' on double bass, and recorded an LP for the '''RCA Victor''' label titled <i>Troilo-Grela</i>. This album is a testament to Troilo's legacy and his ability to reinvent himself and explore new musical horizons.

	A significant moment was the recording of '''''Nocturno a mi barrio''''' in 1968, with a renewed version of the quartet that included electric guitar ('''Ubaldo De Lío'''), piano ('''Osvaldo Berlingieri'''), and double bass ('''Rafael del Bagno'''). This piece reflects Troilo's deep connection with his neighborhood and childhood.		A significant moment was the recording of '''''Nocturno a mi barrio''''' in 1968, with a renewed version of the quartet that included electric guitar ('''[[TITAF-P-5380227\|Ubaldo De Lío]]'''), piano ('''[[TITAF-P-8671693\|Osvaldo Berlingieri]]'''), and double bass ('''[[TITAF-P-9363174\|Rafael del Bagno]]'''). This piece reflects Troilo's deep connection with his neighborhood and childhood.

	'''Leopoldo Federico''' also formed a quartet with Grela and recorded several albums that reflect the same mastery and musical sensitivity that characterized Troilo and his quartet.		'''[[TITAF-P-8972059\|Leopoldo Federico]]''' also formed a quartet with Grela and recorded several albums that reflect the same mastery and musical sensitivity that characterized Troilo and his quartet.

	The recordings of the quartet show the ability of Troilo and Grela to create an intimate and collaborative atmosphere, highlighting their natural virtuosity. Despite the technical difficulties of the recordings at TK, the musical quality of these sessions remains evident and represents one of the most creative and innovative periods of Troilo.		The recordings of the quartet show the ability of Troilo and Grela to create an intimate and collaborative atmosphere, highlighting their natural virtuosity. Despite the technical difficulties of the recordings at TK, the musical quality of these sessions remains evident and represents one of the most creative and innovative periods of Troilo.

Donxello at 07:04, 21 May 2025

2025-05-21T07:04:05Z

← Older revision		Revision as of 07:04, 21 May 2025
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	<small>''This summary is based on an article by Diego Fischerman – [https://www.eldiarioar.com/opinion/cuartetos-atipicos_129_11340854.html eldiarioar.com], dated May 4, 2024. Diego Fischerman is the author of the blog "[https://xn--sonidodesueos-skb.com/ El sonido de los sueños]."''</small>		<small>''This summary is based on an article by Diego Fischerman – [https://www.eldiarioar.com/opinion/cuartetos-atipicos_129_11340854.html eldiarioar.com], dated May 4, 2024. Diego Fischerman is the author of the blog "[https://xn--sonidodesueos-skb.com/ El sonido de los sueños]."''</small>

	The era with the TK label was fundamental for '''Aníbal Troilo''', marked by the formation of innovative small groups and significant collaborations. During this period, Troilo formed a quartet with '''Roberto Grela''' on guitar, '''Edmundo Zaldívar (son)''' on guitarrón, and '''Kicho Díaz''' on double bass. This quartet debuted in the first recordings in 1953 with the tracks '''''La Cachila''''' and '''''Palomita blanca'''''. In the same year, they recorded '''''A Pedro Maffia''''' and '''''Sobre el pucho''''', although the latter appears cut in many editions.		The era with the TK label was fundamental for '''[[TITAF-P-7008908\|Aníbal Troilo]]''', marked by the formation of innovative small groups and significant collaborations. During this period, Troilo formed a quartet with '''Roberto Grela''' on guitar, '''Edmundo Zaldívar (son)''' on guitarrón, and '''Kicho Díaz''' on double bass. This quartet debuted in the first recordings in 1953 with the tracks '''''La Cachila''''' and '''''Palomita blanca'''''. In the same year, they recorded '''''A Pedro Maffia''''' and '''''Sobre el pucho''''', although the latter appears cut in many editions.

	In 1954, Troilo and Grela recorded '''''Diablito''''' and '''''Un placer''''' as a trio with Kicho Díaz. In 1955, again as a quartet, they recorded '''''La Cumparsita''''', '''''Nunca tuvo novio''''', '''''Mi refugio''''', '''''A la guardia nueva''''', '''''El abrojito''''', and '''''Guardia nueva'''''. In these recordings, the interplay and call-and-response between Troilo and Grela were outstanding, showcasing great naturalness and virtuosity in their performances.		In 1954, Troilo and Grela recorded '''''Diablito''''' and '''''Un placer''''' as a trio with Kicho Díaz. In 1955, again as a quartet, they recorded '''''La Cumparsita''''', '''''Nunca tuvo novio''''', '''''Mi refugio''''', '''''A la guardia nueva''''', '''''El abrojito''''', and '''''Guardia nueva'''''. In these recordings, the interplay and call-and-response between Troilo and Grela were outstanding, showcasing great naturalness and virtuosity in their performances.

Donxello at 07:00, 21 May 2025

2025-05-21T07:00:04Z

← Older revision		Revision as of 07:00, 21 May 2025
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	\|PersonFreeText=== Troilo and Grela ==		\|PersonFreeText=== Troilo and Grela ==

	''This summary is based on an article by Diego Fischerman – [https://www.eldiarioar.com/opinion/cuartetos-atipicos_129_11340854.html eldiarioar.com], dated May 4, 2024. Diego Fischerman is the author of the blog "[https://xn--sonidodesueos-skb.com/ El sonido de los sueños]."''		<small>''This summary is based on an article by Diego Fischerman – [https://www.eldiarioar.com/opinion/cuartetos-atipicos_129_11340854.html eldiarioar.com], dated May 4, 2024. Diego Fischerman is the author of the blog "[https://xn--sonidodesueos-skb.com/ El sonido de los sueños]."''</small>

	The era with the TK label was fundamental for '''Aníbal Troilo''', marked by the formation of innovative small groups and significant collaborations. During this period, Troilo formed a quartet with '''Roberto Grela''' on guitar, '''Edmundo Zaldívar (son)''' on guitarrón, and '''Kicho Díaz''' on double bass. This quartet debuted in the first recordings in 1953 with the tracks '''''La Cachila''''' and '''''Palomita blanca'''''. In the same year, they recorded '''''A Pedro Maffia''''' and '''''Sobre el pucho''''', although the latter appears cut in many editions.		The era with the TK label was fundamental for '''Aníbal Troilo''', marked by the formation of innovative small groups and significant collaborations. During this period, Troilo formed a quartet with '''Roberto Grela''' on guitar, '''Edmundo Zaldívar (son)''' on guitarrón, and '''Kicho Díaz''' on double bass. This quartet debuted in the first recordings in 1953 with the tracks '''''La Cachila''''' and '''''Palomita blanca'''''. In the same year, they recorded '''''A Pedro Maffia''''' and '''''Sobre el pucho''''', although the latter appears cut in many editions.

Donxello at 06:59, 21 May 2025

2025-05-21T06:59:37Z

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 |citizenshipLabel=Argentina
 |Todotango_links=https://www.todotango.com/creadores/ficha/106/Roberto-Grela
 }}
 [[Category:TangoPeople]]
 <noinclude>{{DISPLAYTITLE:Roberto Grela}}</noinclude>

Donxello: Text replacement - "|Name=" to "|PersonName="

2025-05-07T19:44:26Z

Text replacement - "|Name=" to "|PersonName="

← Older revision		Revision as of 19:44, 7 May 2025
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	{{Person		{{Person
	\|wikidataID=Q6109778		\|wikidataID=Q6109778
	\|~~Name~~=Roberto Grela		\|PersonName=Roberto Grela
	\|Name_real=Roberto León Grela		\|Name_real=Roberto León Grela
	\|instanceOf=human		\|instanceOf=human

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	\|birthDate=1913-06-28		\|birthDate=1913-06-28
	\|deathDate=1992-09-06		\|deathDate=1992-09-06
	~~\|Birth display=28 June 1913~~
	~~\|Death display=6 September 1992~~
	\|genderLabel=male		\|genderLabel=male
	\|Occupation=guitarist ~~\|\| composer~~		\|Occupation=guitarist;;composer
	~~\|Occupation display=guitarist<br />~~composer
	\|instrument=guitar		\|instrument=guitar
	~~\|instrument display=guitar~~
	\|birthPlaceLabel=Buenos Aires, Buenos Aires		\|birthPlaceLabel=Buenos Aires, Buenos Aires
	\|birthPlaceCountryLabel=Argentina		\|birthPlaceCountryLabel=Argentina
	\|citizenshipLabel=Argentina		\|citizenshipLabel=Argentina
	~~\|citizenshipLabel display=Argentina~~
	\|Todotango_links=https://www.todotango.com/creadores/ficha/106/Roberto-Grela		\|Todotango_links=https://www.todotango.com/creadores/ficha/106/Roberto-Grela
	}}		}}
	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	<noinclude>{{DISPLAYTITLE:Roberto Grela}}</noinclude>		<noinclude>{{DISPLAYTITLE:Roberto Grela}}</noinclude>

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	}}		}}
	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	~~[[Main Page]]~~		<noinclude>{{DISPLAYTITLE:Roberto Grela}}</noinclude>

Donxello: CSV import

2025-04-07T18:52:21Z

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	\|genderLabel=male		\|genderLabel=male
	\|Occupation=guitarist \|\| composer		\|Occupation=guitarist \|\| composer
			\|Occupation display=guitarist<br />composer
	\|instrument=guitar		\|instrument=guitar
			\|instrument display=guitar
	\|birthPlaceLabel=Buenos Aires, Buenos Aires		\|birthPlaceLabel=Buenos Aires, Buenos Aires
	\|birthPlaceCountryLabel=Argentina		\|birthPlaceCountryLabel=Argentina
	\|citizenshipLabel=Argentina		\|citizenshipLabel=Argentina
			\|citizenshipLabel display=Argentina
	\|Todotango_links=https://www.todotango.com/creadores/ficha/106/Roberto-Grela		\|Todotango_links=https://www.todotango.com/creadores/ficha/106/Roberto-Grela
	}}		}}
	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	[[Main Page]]		[[Main Page]]

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← Older revision		Revision as of 17:08, 7 April 2025
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	\|instanceOf=human		\|instanceOf=human
	\|Commons image URL=https://commons.wikimedia.org/wiki/Special:FilePath/Roberto%20Grela.jpg?width=300		\|Commons image URL=https://commons.wikimedia.org/wiki/Special:FilePath/Roberto%20Grela.jpg?width=300
			\|Commons image URL short=Roberto Grela.jpg
	\|birthDate=1913-06-28		\|birthDate=1913-06-28
	\|deathDate=1992-09-06		\|deathDate=1992-09-06
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	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	[[Main Page]]		[[Main Page]]
	~~{{Person~~
	~~\|Commons image URL short=Roberto Grela.jpg~~
	}}

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2025-04-07T16:43:13Z

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	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	[[Main Page]]		[[Main Page]]
			{{Person
			\|Commons image URL short=Roberto Grela.jpg
			}}