TITAF-P-7008908 - Revision history

Donxello at 07:19, 21 May 2025

2025-05-21T07:19:49Z

← Older revision		Revision as of 07:19, 21 May 2025
Line 17:		Line 17:
	\|citizenshipLabel=Argentina		\|citizenshipLabel=Argentina
	\|Todotango_links=https://www.todotango.com/creadores/ficha/32/Anibal-Troilo		\|Todotango_links=https://www.todotango.com/creadores/ficha/32/Anibal-Troilo
	\|PersonFreeText=== The TK era ==		\|PersonFreeText===Zita and Troilo==
			'''Ida Calachi''' (known as '''Zita''') was born in Greece and came to Argentina as a small child. In 1936, she met [[TITAF-P-7008908\|Pichuco]], and two years later, they became life partners.

			Zita accompanied and cared for him throughout his artistic career, and alongside her memories, she preserved the generosity of "Pocholito" (as she used to call him).

			[[TITAF-P-1303722\|Astor Piazzolla]] dedicated a movement of the ''Suite Troileana'' to her, and [[TITAF-P-5534873\|Horacio Ferrer]] honored her with the poem ''Tu penúltimo tango''.

			She passed away in Buenos Aires on July 1, 1997.


			== The TK era ==

	The 1950s were a decisive period in the career of '''Aníbal Troilo''', marked by his switch to the TK record label. This era was filled with both personal and professional challenges and changes that would profoundly influence his music and tango in general.		The 1950s were a decisive period in the career of '''Aníbal Troilo''', marked by his switch to the TK record label. This era was filled with both personal and professional challenges and changes that would profoundly influence his music and tango in general.

Donxello at 07:10, 21 May 2025

2025-05-21T07:10:38Z

← Older revision		Revision as of 07:10, 21 May 2025
Line 21:		Line 21:
	The 1950s were a decisive period in the career of '''Aníbal Troilo''', marked by his switch to the TK record label. This era was filled with both personal and professional challenges and changes that would profoundly influence his music and tango in general.		The 1950s were a decisive period in the career of '''Aníbal Troilo''', marked by his switch to the TK record label. This era was filled with both personal and professional challenges and changes that would profoundly influence his music and tango in general.

	In the early 1950s, Troilo began working closely with '''Astor Piazzolla''', who acted as an arranger and composer. This collaboration had a significant impact on his music. Piazzolla, known for his innovative approach and ability to integrate complex musical structures, brought a new level of sophistication to Troilo's repertoire. Works like ''Para lucirse'', ''Triunfal'', and ''Lo que vendrá'' are clear examples of this fruitful association. These compositions not only modernized tango but also enriched it with new harmonic and rhythmic concepts.		In the early 1950s, Troilo began working closely with '''[[TITAF-P-1303722\|Astor Piazzolla]]''', who acted as an arranger and composer. This collaboration had a significant impact on his music. Piazzolla, known for his innovative approach and ability to integrate complex musical structures, brought a new level of sophistication to Troilo's repertoire. Works like ''Para lucirse'', ''Triunfal'', and ''Lo que vendrá'' are clear examples of this fruitful association. These compositions not only modernized tango but also enriched it with new harmonic and rhythmic concepts.

	However, the recordings with TK were not without problems. Poor recording conditions and technical issues affected the quality of the produced records. Despite these difficulties, Troilo managed to create a series of masterpieces that have endured over time and are still considered tango classics. His collaboration with poet '''Cátulo Castillo''' during this period was particularly significant. Together, they produced some of the most emotional and profound pieces in Troilo's repertoire. ''La última curda'', for instance, stands out for both its musical complexity and the intensity of its lyrics, reflecting a deep sense of melancholy and despair.		However, the recordings with TK were not without problems. Poor recording conditions and technical issues affected the quality of the produced records. Despite these difficulties, Troilo managed to create a series of masterpieces that have endured over time and are still considered tango classics. His collaboration with poet '''[[TITAF-P-4259371\|Cátulo Castillo]]''' during this period was particularly significant. Together, they produced some of the most emotional and profound pieces in Troilo's repertoire. ''La última curda'', for instance, stands out for both its musical complexity and the intensity of its lyrics, reflecting a deep sense of melancholy and despair.

	=== Innovation in format and sound ===		=== Innovation in format and sound ===

	Regarding formations and instrumentation, Troilo experimented with different configurations. The inclusion of '''Roberto Grela''' on guitar was a notable change that added a new sonic dimension to his music. The recordings of the '''Troilo-Grela quartet''' showcased a more intimate and chamber-like side of tango, highlighting Troilo's versatility as a musician. These sessions stood out for their ability to combine technical sophistication with deep emotional expressiveness.		Regarding formations and instrumentation, Troilo experimented with different configurations. The inclusion of '''[[TITAF-P-6588414\|Roberto Grela]]''' on guitar was a notable change that added a new sonic dimension to his music. The recordings of the '''Troilo-Grela quartet''' showcased a more intimate and chamber-like side of tango, highlighting Troilo's versatility as a musician. These sessions stood out for their ability to combine technical sophistication with deep emotional expressiveness.

	Personal and professional setbacks also marked this era. Despite these challenges, Troilo maintained his creative energy. His ability to constantly evolve and explore new musical horizons kept him at the center of the tango world throughout the decade. Despite the difficulties, Troilo continued composing and recording, demonstrating remarkable resilience and an unwavering passion for his art.		Personal and professional setbacks also marked this era. Despite these challenges, Troilo maintained his creative energy. His ability to constantly evolve and explore new musical horizons kept him at the center of the tango world throughout the decade. Despite the difficulties, Troilo continued composing and recording, demonstrating remarkable resilience and an unwavering passion for his art.

Donxello at 07:02, 21 May 2025

2025-05-21T07:02:42Z

← Older revision		Revision as of 07:02, 21 May 2025
Line 52:		Line 52:

	=== Troilo and Grela ===		=== Troilo and Grela ===
	[[https://tangowiki.titaf.org/wiki/TITAF-P-6588414\|Please see here]]		[https://tangowiki.titaf.org/wiki/TITAF-P-6588414 Please see here]

	}}		}}
	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	<noinclude>{{DISPLAYTITLE:Aníbal Troilo}}</noinclude>		<noinclude>{{DISPLAYTITLE:Aníbal Troilo}}</noinclude>

Donxello at 07:01, 21 May 2025

2025-05-21T07:01:24Z

← Older revision		Revision as of 07:01, 21 May 2025
Line 51:		Line 51:
	The end of his time with TK was marked by his switch to '''Odeón''', a label that offered better recording conditions. This change allowed Troilo to continue developing as a musician and to keep exploring new musical horizons. His return to Odeón marked the beginning of a new stage in his career, where he could take advantage of better recording conditions to continue creating high-quality music.		The end of his time with TK was marked by his switch to '''Odeón''', a label that offered better recording conditions. This change allowed Troilo to continue developing as a musician and to keep exploring new musical horizons. His return to Odeón marked the beginning of a new stage in his career, where he could take advantage of better recording conditions to continue creating high-quality music.

			=== Troilo and Grela ===
			[[https://tangowiki.titaf.org/wiki/TITAF-P-6588414\|Please see here]]
	}}		}}
	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	<noinclude>{{DISPLAYTITLE:Aníbal Troilo}}</noinclude>		<noinclude>{{DISPLAYTITLE:Aníbal Troilo}}</noinclude>

Donxello at 06:57, 21 May 2025

2025-05-21T06:57:43Z

@@ Line 17: / Line 17: @@
 |citizenshipLabel=Argentina
 |Todotango_links=https://www.todotango.com/creadores/ficha/32/Anibal-Troilo
 }}
 [[Category:TangoPeople]]
 <noinclude>{{DISPLAYTITLE:Aníbal Troilo}}</noinclude>

Donxello: Text replacement - "|Name=" to "|PersonName="

2025-05-07T19:51:05Z

Text replacement - "|Name=" to "|PersonName="

← Older revision		Revision as of 19:51, 7 May 2025
Line 1:		Line 1:
	{{Person		{{Person
	\|wikidataID=Q381843		\|wikidataID=Q381843
	\|~~Name~~=Aníbal Troilo		\|PersonName=Aníbal Troilo
	\|Name_real=Aníbal Carmelo Troilo		\|Name_real=Aníbal Carmelo Troilo
	\|alternative_search=anibal troilo		\|alternative_search=anibal troilo

Donxello: CSV import

2025-04-14T02:50:04Z

CSV import

← Older revision		Revision as of 02:50, 14 April 2025
Line 9:		Line 9:
	\|birthDate=1914-07-11		\|birthDate=1914-07-11
	\|deathDate=1975-05-19		\|deathDate=1975-05-19
	~~\|Birth display=11 July 1914~~
	~~\|Death display=19 May 1975~~
	\|genderLabel=male		\|genderLabel=male
	\|Pseudonyms-nicknames=Pichuco		\|Pseudonyms-nicknames=Pichuco
	~~\|Pseudonyms-nicknames display=Pichuco~~		\|Occupation=bandoneonist;;conductor;;compositor.
	\|Occupation~~=bandoneonist \|\| conductor \|\| compositor.~~
	~~\|Occupation display~~=bandoneonist;;conductor;;compositor.
	\|instrument=bandoneon		\|instrument=bandoneon
	~~\|instrument display=bandoneon~~
	\|birthPlaceLabel=Buenos Aires, Buenos Aires		\|birthPlaceLabel=Buenos Aires, Buenos Aires
	\|birthPlaceCountryLabel=Argentina		\|birthPlaceCountryLabel=Argentina
	\|citizenshipLabel=Argentina		\|citizenshipLabel=Argentina
	~~\|citizenshipLabel display=Argentina~~
	\|Todotango_links=https://www.todotango.com/creadores/ficha/32/Anibal-Troilo		\|Todotango_links=https://www.todotango.com/creadores/ficha/32/Anibal-Troilo
	}}		}}
	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	<noinclude>{{DISPLAYTITLE:Aníbal Troilo}}</noinclude>		<noinclude>{{DISPLAYTITLE:Aníbal Troilo}}</noinclude>

Donxello at 11:35, 11 April 2025

2025-04-11T11:35:08Z

← Older revision		Revision as of 11:35, 11 April 2025
Line 15:		Line 15:
	\|Pseudonyms-nicknames display=Pichuco		\|Pseudonyms-nicknames display=Pichuco
	\|Occupation=bandoneonist \|\| conductor \|\| compositor.		\|Occupation=bandoneonist \|\| conductor \|\| compositor.
	\|Occupation display=bandoneonist~~<br />~~conductor~~<br />~~compositor.		\|Occupation display=bandoneonist;;conductor;;compositor.
	\|instrument=bandoneon		\|instrument=bandoneon
	\|instrument display=bandoneon		\|instrument display=bandoneon

Donxello: CSV import

2025-04-09T18:29:36Z

CSV import

← Older revision		Revision as of 18:29, 9 April 2025
Line 25:		Line 25:
	}}		}}
	[[Category:TangoPeople]]		[[Category:TangoPeople]]
	~~[[Main Page]]~~		<noinclude>{{DISPLAYTITLE:Aníbal Troilo}}</noinclude>

Donxello: CSV import

2025-04-09T17:42:09Z

CSV import

← Older revision		Revision as of 17:42, 9 April 2025
Line 3:		Line 3:
	\|Name=Aníbal Troilo		\|Name=Aníbal Troilo
	\|Name_real=Aníbal Carmelo Troilo		\|Name_real=Aníbal Carmelo Troilo
			\|alternative_search=anibal troilo
	\|instanceOf=human		\|instanceOf=human
	\|Commons image URL=https://commons.wikimedia.org/wiki/Special:FilePath/Anibal%20Troilo%201971.png?width=300		\|Commons image URL=https://commons.wikimedia.org/wiki/Special:FilePath/Anibal%20Troilo%201971.png?width=300