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	<id>https://tangowiki.titaf.org/index.php?action=history&amp;feed=atom&amp;title=TITAF-P-9962386</id>
	<title>TITAF-P-9962386 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://tangowiki.titaf.org/index.php?action=history&amp;feed=atom&amp;title=TITAF-P-9962386"/>
	<link rel="alternate" type="text/html" href="https://tangowiki.titaf.org/index.php?title=TITAF-P-9962386&amp;action=history"/>
	<updated>2026-06-15T20:42:44Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://tangowiki.titaf.org/index.php?title=TITAF-P-9962386&amp;diff=112134&amp;oldid=prev</id>
		<title>Donxello at 17:41, 28 May 2025</title>
		<link rel="alternate" type="text/html" href="https://tangowiki.titaf.org/index.php?title=TITAF-P-9962386&amp;diff=112134&amp;oldid=prev"/>
		<updated>2025-05-28T17:41:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:41, 28 May 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot;&gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Commons image URL short=donxello2.jpg&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Commons image URL short=donxello2.jpg&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|PersonFreeText=&amp;#039;&amp;#039;&amp;#039;Christian Xell&amp;#039;&amp;#039;&amp;#039;, also known as Don Xello, embraced Tango in 2004 and has been enthralled by it ever since.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|PersonFreeText=&amp;#039;&amp;#039;&amp;#039;Christian Xell&amp;#039;&amp;#039;&amp;#039;, also known as Don Xello, embraced Tango in 2004 and has been enthralled by it ever since.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By 2005, he had already organized his first Milongas in Vienna at the [&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/del&gt;Galeria Ideal&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/del&gt;], a venue that still exists today and has become the largest regular Milonga in Austria.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By 2005, he had already organized his first Milongas in Vienna at the [&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://galerial-ideal.at &lt;/ins&gt;Galeria Ideal], a venue that still exists today and has become the largest regular Milonga in Austria.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He first visited Buenos Aires in 2008, leading to longer stays in the city over time. In 2012, frustrated by the poor music quality at Milongas worldwide, Don Xello began collecting Tango records. Soon after, he was offered his first collection of shellac Tango recordings, which he purchased. In 2013, he founded TangoTunes, a label dedicated to high-quality transfers of Tango shellac records. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/del&gt;[https://tangotunes.com TangoTunes&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/del&gt;] is now the world&#039;s largest provider of dance music. While the label acquired numerous Tango collections, many were from lesser-known dance orchestras, valuable historically but not often played at Milongas. These lesser-known collections didn&#039;t gain much attention commercially or from TangoTunes, so in 2021, the establishment of a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/del&gt;[https://titaf.org Tango Argentino Foundation&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/del&gt;] was decided upon and formally completed in 2023.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He first visited Buenos Aires in 2008, leading to longer stays in the city over time. In 2012, frustrated by the poor music quality at Milongas worldwide, Don Xello began collecting Tango records. Soon after, he was offered his first collection of shellac Tango recordings, which he purchased. In 2013, he founded TangoTunes, a label dedicated to high-quality transfers of Tango shellac records. [https://tangotunes.com TangoTunes] is now the world&#039;s largest provider of dance music. While the label acquired numerous Tango collections, many were from lesser-known dance orchestras, valuable historically but not often played at Milongas. These lesser-known collections didn&#039;t gain much attention commercially or from TangoTunes, so in 2021, the establishment of a [https://titaf.org Tango Argentino Foundation] was decided upon and formally completed in 2023.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This foundation will focus on areas not covered by TangoTunes, such as digitizing records from artists like Ignacio Corsini, Carlos Gardel, Roberto Firpo, and many others. Additionally, it supports contemporary Argentine Tango artists with infrastructure and funding.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This foundation will focus on areas not covered by TangoTunes, such as digitizing records from artists like Ignacio Corsini, Carlos Gardel, Roberto Firpo, and many others. Additionally, it supports contemporary Argentine Tango artists with infrastructure and funding.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Donxello</name></author>
	</entry>
	<entry>
		<id>https://tangowiki.titaf.org/index.php?title=TITAF-P-9962386&amp;diff=112133&amp;oldid=prev</id>
		<title>Donxello at 17:32, 28 May 2025</title>
		<link rel="alternate" type="text/html" href="https://tangowiki.titaf.org/index.php?title=TITAF-P-9962386&amp;diff=112133&amp;oldid=prev"/>
		<updated>2025-05-28T17:32:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:32, 28 May 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Occupation=entrepreneur&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Occupation=entrepreneur&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Commons image URL short=donxello2.jpg&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Commons image URL short=donxello2.jpg&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|PersonFreeText=Christian Xell, also known as Don Xello, embraced Tango in 2004 and has been enthralled by it ever since. By 2005, he had already organized his first Milongas in Vienna at the Galeria Ideal, a venue that still exists today and has become the largest regular Milonga in Austria. He first visited Buenos Aires in 2008, leading to longer stays in the city over time. In 2012, frustrated by the poor music quality at Milongas worldwide, Don Xello began collecting Tango records. Soon after, he was offered his first collection of shellac Tango recordings, which he purchased. In 2013, he founded TangoTunes, a label dedicated to high-quality transfers of Tango shellac records. TangoTunes is now the world&#039;s largest provider of dance music. While the label acquired numerous Tango collections, many were from lesser-known dance orchestras, valuable historically but not often played at Milongas. These lesser-known collections didn&#039;t gain much attention commercially or from TangoTunes, so in 2021, the establishment of a Tango Argentino Foundation was decided upon and formally completed in 2023. This foundation will focus on areas not covered by TangoTunes, such as digitizing records from artists like Corsini, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Magali&lt;/del&gt;, Firpo, and many others. Additionally, it supports contemporary Argentine Tango artists with infrastructure and funding.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|PersonFreeText=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/ins&gt;Christian Xell&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/ins&gt;, also known as Don Xello, embraced Tango in 2004 and has been enthralled by it ever since.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By 2005, he had already organized his first Milongas in Vienna at the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Galeria Ideal&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, a venue that still exists today and has become the largest regular Milonga in Austria.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He first visited Buenos Aires in 2008, leading to longer stays in the city over time. In 2012, frustrated by the poor music quality at Milongas worldwide, Don Xello began collecting Tango records. Soon after, he was offered his first collection of shellac Tango recordings, which he purchased. In 2013, he founded TangoTunes, a label dedicated to high-quality transfers of Tango shellac records. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[https://tangotunes.com &lt;/ins&gt;TangoTunes&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;is now the world&#039;s largest provider of dance music. While the label acquired numerous Tango collections, many were from lesser-known dance orchestras, valuable historically but not often played at Milongas. These lesser-known collections didn&#039;t gain much attention commercially or from TangoTunes, so in 2021, the establishment of a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[https://titaf.org &lt;/ins&gt;Tango Argentino Foundation&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;was decided upon and formally completed in 2023.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This foundation will focus on areas not covered by TangoTunes, such as digitizing records from artists like &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ignacio &lt;/ins&gt;Corsini, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Carlos Gardel&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Roberto &lt;/ins&gt;Firpo, and many others. Additionally, it supports contemporary Argentine Tango artists with infrastructure and funding.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Donxello</name></author>
	</entry>
	<entry>
		<id>https://tangowiki.titaf.org/index.php?title=TITAF-P-9962386&amp;diff=111865&amp;oldid=prev</id>
		<title>Donxello at 07:59, 24 May 2025</title>
		<link rel="alternate" type="text/html" href="https://tangowiki.titaf.org/index.php?title=TITAF-P-9962386&amp;diff=111865&amp;oldid=prev"/>
		<updated>2025-05-24T07:59:11Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:59, 24 May 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot;&gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|citizenshipLabel=Austria&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|citizenshipLabel=Austria&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Occupation=entrepreneur&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Occupation=entrepreneur&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Commons image URL short=donxello2.jpg&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|PersonFreeText=Christian Xell, also known as Don Xello, embraced Tango in 2004 and has been enthralled by it ever since. By 2005, he had already organized his first Milongas in Vienna at the Galeria Ideal, a venue that still exists today and has become the largest regular Milonga in Austria. He first visited Buenos Aires in 2008, leading to longer stays in the city over time. In 2012, frustrated by the poor music quality at Milongas worldwide, Don Xello began collecting Tango records. Soon after, he was offered his first collection of shellac Tango recordings, which he purchased. In 2013, he founded TangoTunes, a label dedicated to high-quality transfers of Tango shellac records. TangoTunes is now the world&amp;#039;s largest provider of dance music. While the label acquired numerous Tango collections, many were from lesser-known dance orchestras, valuable historically but not often played at Milongas. These lesser-known collections didn&amp;#039;t gain much attention commercially or from TangoTunes, so in 2021, the establishment of a Tango Argentino Foundation was decided upon and formally completed in 2023. This foundation will focus on areas not covered by TangoTunes, such as digitizing records from artists like Corsini, Magali, Firpo, and many others. Additionally, it supports contemporary Argentine Tango artists with infrastructure and funding.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|PersonFreeText=Christian Xell, also known as Don Xello, embraced Tango in 2004 and has been enthralled by it ever since. By 2005, he had already organized his first Milongas in Vienna at the Galeria Ideal, a venue that still exists today and has become the largest regular Milonga in Austria. He first visited Buenos Aires in 2008, leading to longer stays in the city over time. In 2012, frustrated by the poor music quality at Milongas worldwide, Don Xello began collecting Tango records. Soon after, he was offered his first collection of shellac Tango recordings, which he purchased. In 2013, he founded TangoTunes, a label dedicated to high-quality transfers of Tango shellac records. TangoTunes is now the world&amp;#039;s largest provider of dance music. While the label acquired numerous Tango collections, many were from lesser-known dance orchestras, valuable historically but not often played at Milongas. These lesser-known collections didn&amp;#039;t gain much attention commercially or from TangoTunes, so in 2021, the establishment of a Tango Argentino Foundation was decided upon and formally completed in 2023. This foundation will focus on areas not covered by TangoTunes, such as digitizing records from artists like Corsini, Magali, Firpo, and many others. Additionally, it supports contemporary Argentine Tango artists with infrastructure and funding.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Donxello</name></author>
	</entry>
	<entry>
		<id>https://tangowiki.titaf.org/index.php?title=TITAF-P-9962386&amp;diff=111864&amp;oldid=prev</id>
		<title>Donxello: Created page with &quot;{{Person |PersonName=Don Xello |Name_real=Christian Xell |Pseudonyms-nicknames=xello |genderLabel=male |birthDate=1968-04-09 |birthPlaceLabel=Vienna |birthPlaceCountryLabel=Austria |citizenshipLabel=Austria |Occupation=entrepreneur |PersonFreeText=Christian Xell, also known as Don Xello, embraced Tango in 2004 and has been enthralled by it ever since. By 2005, he had already organized his first Milongas in Vienna at the Galeria Ideal, a venue that still exists today and...&quot;</title>
		<link rel="alternate" type="text/html" href="https://tangowiki.titaf.org/index.php?title=TITAF-P-9962386&amp;diff=111864&amp;oldid=prev"/>
		<updated>2025-05-24T07:57:17Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{Person |PersonName=Don Xello |Name_real=Christian Xell |Pseudonyms-nicknames=xello |genderLabel=male |birthDate=1968-04-09 |birthPlaceLabel=Vienna |birthPlaceCountryLabel=Austria |citizenshipLabel=Austria |Occupation=entrepreneur |PersonFreeText=Christian Xell, also known as Don Xello, embraced Tango in 2004 and has been enthralled by it ever since. By 2005, he had already organized his first Milongas in Vienna at the Galeria Ideal, a venue that still exists today and...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Person&lt;br /&gt;
|PersonName=Don Xello&lt;br /&gt;
|Name_real=Christian Xell&lt;br /&gt;
|Pseudonyms-nicknames=xello&lt;br /&gt;
|genderLabel=male&lt;br /&gt;
|birthDate=1968-04-09&lt;br /&gt;
|birthPlaceLabel=Vienna&lt;br /&gt;
|birthPlaceCountryLabel=Austria&lt;br /&gt;
|citizenshipLabel=Austria&lt;br /&gt;
|Occupation=entrepreneur&lt;br /&gt;
|PersonFreeText=Christian Xell, also known as Don Xello, embraced Tango in 2004 and has been enthralled by it ever since. By 2005, he had already organized his first Milongas in Vienna at the Galeria Ideal, a venue that still exists today and has become the largest regular Milonga in Austria. He first visited Buenos Aires in 2008, leading to longer stays in the city over time. In 2012, frustrated by the poor music quality at Milongas worldwide, Don Xello began collecting Tango records. Soon after, he was offered his first collection of shellac Tango recordings, which he purchased. In 2013, he founded TangoTunes, a label dedicated to high-quality transfers of Tango shellac records. TangoTunes is now the world&amp;#039;s largest provider of dance music. While the label acquired numerous Tango collections, many were from lesser-known dance orchestras, valuable historically but not often played at Milongas. These lesser-known collections didn&amp;#039;t gain much attention commercially or from TangoTunes, so in 2021, the establishment of a Tango Argentino Foundation was decided upon and formally completed in 2023. This foundation will focus on areas not covered by TangoTunes, such as digitizing records from artists like Corsini, Magali, Firpo, and many others. Additionally, it supports contemporary Argentine Tango artists with infrastructure and funding.&lt;br /&gt;
}}&lt;/div&gt;</summary>
		<author><name>Donxello</name></author>
	</entry>
</feed>