TITAF-T-0005272 - Revision history

Donxello at 11:12, 21 June 2025

2025-06-21T11:12:46Z

← Older revision		Revision as of 11:12, 21 June 2025
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	\|Composer=TITAF-P-7213358		\|Composer=TITAF-P-7213358
	\|Genre=Tango		\|Genre=Tango
	\|Description=[[File:TITAF-T-0005272-el-entrerriano-sheetmusic01.jpg\|Sheet music]]		\|Description=[[File:TITAF-T-0005272-el-entrerriano-sheetmusic01.jpg\|Sheet music\|right]]


	''El entrerriano'' is one of the most enduring classics of the tango repertoire, credited with popularizing the three-part musical structure that became a defining trait of tango during the Guardia Vieja era. Over a century after its debut, it remains a cornerstone of traditional tango performance.		''El entrerriano'' is one of the most enduring classics of the tango repertoire, credited with popularizing the three-part musical structure that became a defining trait of tango during the Guardia Vieja era. Over a century after its debut, it remains a cornerstone of traditional tango performance.

Donxello at 11:11, 21 June 2025

2025-06-21T11:11:49Z

← Older revision		Revision as of 11:11, 21 June 2025
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	{{Tune		{{Tune
	\|TuneName=El entrerriano		\|TuneName=El entrerriano
	\|Composer=~~Rosendo Mendizábal (~~TITAF-P-7213358)		\|Composer=TITAF-P-7213358
	\|Genre=Tango		\|Genre=Tango
	\|Description=[[File:TITAF-T-0005272-el-entrerriano-sheetmusic01.jpg\|Sheet music]]		\|Description=[[File:TITAF-T-0005272-el-entrerriano-sheetmusic01.jpg\|Sheet music]]

	''El entrerriano'' is one of the most enduring classics of the tango repertoire, credited with popularizing the three-part musical structure that became a defining trait of tango during the Guardia Vieja era. Over a century after its debut, it remains a cornerstone of traditional tango performance.		''El entrerriano'' is one of the most enduring classics of the tango repertoire, credited with popularizing the three-part musical structure that became a defining trait of tango during the Guardia Vieja era. Over a century after its debut, it remains a cornerstone of traditional tango performance.

Donxello at 11:10, 21 June 2025

2025-06-21T11:10:58Z

← Older revision		Revision as of 11:10, 21 June 2025
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	{{Tune		{{Tune
	\|TuneName=El entrerriano		\|TuneName=El entrerriano
	\|Composer=TITAF-P-7213358		\|Composer=Rosendo Mendizábal (TITAF-P-7213358)
	\|Genre=Tango		\|Genre=Tango
	\|Description=''El entrerriano'' is one of the most enduring classics of the tango repertoire, credited with popularizing the three-part musical structure that became a defining trait of tango during the Guardia Vieja era. Over a century after its debut, it remains a cornerstone of traditional tango performance.		\|Description=[[File:TITAF-T-0005272-el-entrerriano-sheetmusic01.jpg\|Sheet music]]
			''El entrerriano'' is one of the most enduring classics of the tango repertoire, credited with popularizing the three-part musical structure that became a defining trait of tango during the Guardia Vieja era. Over a century after its debut, it remains a cornerstone of traditional tango performance.

	== Origins and Dedication ==		== Origins and Dedication ==

Donxello at 11:09, 21 June 2025

2025-06-21T11:09:19Z

← Older revision		Revision as of 11:09, 21 June 2025
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	{{Tune		{{Tune
	\|TuneName=El entrerriano		\|TuneName=El entrerriano
	\|Composer=~~Rosendo Mendizábal (~~TITAF-P-7213358)		\|Composer=TITAF-P-7213358
	\|Genre=Tango		\|Genre=Tango
	\|Description=''El entrerriano'' is one of the most enduring classics of the tango repertoire, credited with popularizing the three-part musical structure that became a defining trait of tango during the Guardia Vieja era. Over a century after its debut, it remains a cornerstone of traditional tango performance.		\|Description=''El entrerriano'' is one of the most enduring classics of the tango repertoire, credited with popularizing the three-part musical structure that became a defining trait of tango during the Guardia Vieja era. Over a century after its debut, it remains a cornerstone of traditional tango performance.

Donxello at 11:09, 21 June 2025

2025-06-21T11:09:09Z

← Older revision		Revision as of 11:09, 21 June 2025
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	{{Tune		{{Tune
	\|TuneName=El entrerriano		\|TuneName=El entrerriano
	\|Composer=TITAF-P-7213358		\|Composer=Rosendo Mendizábal (TITAF-P-7213358)
	\|Genre=Tango		\|Genre=Tango
	\|Description=~~== Overview ==~~		\|Description=''El entrerriano'' is one of the most enduring classics of the tango repertoire, credited with popularizing the three-part musical structure that became a defining trait of tango during the Guardia Vieja era. Over a century after its debut, it remains a cornerstone of traditional tango performance.
	''El entrerriano'' is one of the most enduring classics of the tango repertoire, credited with popularizing the three-part musical structure that became a defining trait of tango during the Guardia Vieja era. Over a century after its debut, it remains a cornerstone of traditional tango performance.

	== Origins and Dedication ==		== Origins and Dedication ==

Donxello at 11:08, 21 June 2025

2025-06-21T11:08:34Z

← Older revision		Revision as of 11:08, 21 June 2025
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	{{Tune		{{Tune
	\|TuneName=El entrerriano		\|TuneName=El entrerriano
	\|Composer=~~Rosendo Mendizábal (~~TITAF-P-7213358)		\|Composer=TITAF-P-7213358
	\|Genre=Tango		\|Genre=Tango
	\|Description=== Overview ==		\|Description=== Overview ==

Donxello at 11:07, 21 June 2025

2025-06-21T11:07:56Z

← Older revision		Revision as of 11:07, 21 June 2025
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	Years later, ''El entrerriano'' also attracted interest from lyricists. [[TITAF-P-9317135\|Ángel Villoldo]] was the first to add lyrics, tailoring them for the actress and singer [[TITAF-P-5057985\|Pepita Avellaneda]]. Subsequent versions featured new lyrics by various authors, including:		Years later, ''El entrerriano'' also attracted interest from lyricists. [[TITAF-P-9317135\|Ángel Villoldo]] was the first to add lyrics, tailoring them for the actress and singer [[TITAF-P-5057985\|Pepita Avellaneda]]. Subsequent versions featured new lyrics by various authors, including:

	• [[TITAF-P-9627974\|Alberto Semino]] and S. Retondaro		• [[TITAF-P-9627974\|Alberto Semino]] and [[S. Retondaro]]

	• [[TITAF-P-3027271\|Vicente Planells del Campo]] and [[TITAF-P-9155162\|Oscar Amor]]		• [[TITAF-P-3027271\|Vicente Planells del Campo]] and [[TITAF-P-9155162\|Oscar Amor]]

Donxello at 11:07, 21 June 2025

2025-06-21T11:07:25Z

← Older revision		Revision as of 11:07, 21 June 2025
Line 1:		Line 1:
	{{Tune		{{Tune
	\|TuneName=El entrerriano		\|TuneName=El entrerriano
	\|Composer=TITAF-P-7213358		\|Composer=Rosendo Mendizábal (TITAF-P-7213358)
	\|Genre=Tango		\|Genre=Tango
	\|Description=== Overview ==		\|Description=== Overview ==
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	• [[TITAF-P-9627974\|Alberto Semino]] and S. Retondaro		• [[TITAF-P-9627974\|Alberto Semino]] and S. Retondaro

	• [[TITAF-P-3027271\|Vicente Planells del Campo]] and [[TITAF-P-9155162\|Oscar Amor]]		• [[TITAF-P-3027271\|Vicente Planells del Campo]] and [[TITAF-P-9155162\|Oscar Amor]]

	• [[TITAF-P-7227770\|Julián Porteño]], and, most notably		• [[TITAF-P-7227770\|Julián Porteño]], and, most notably

	• [[TITAF-P-1893332\|Homero Expósito]]		• [[TITAF-P-1893332\|Homero Expósito]]


	The latter’s version is widely regarded as the finest lyrical adaptation of the piece.		The latter’s version is widely regarded as the finest lyrical adaptation of the piece.

Donxello at 11:06, 21 June 2025

2025-06-21T11:06:57Z

← Older revision		Revision as of 11:06, 21 June 2025
Line 1:		Line 1:
	{{Tune		{{Tune
	\|TuneName=El entrerriano		\|TuneName=El entrerriano
	\|Composer=~~Rosendo Mendizábal (~~TITAF-P-7213358)		\|Composer=TITAF-P-7213358
	\|Genre=Tango		\|Genre=Tango
	\|Description=''El entrerriano'' is one of the most enduring classics of the tango repertoire, credited with popularizing the three-part musical structure that became a defining trait of tango during the Guardia Vieja era. Over a century after its debut, it remains a cornerstone of traditional tango performance.		\|Description=== Overview ==
			''El entrerriano'' is one of the most enduring classics of the tango repertoire, credited with popularizing the three-part musical structure that became a defining trait of tango during the Guardia Vieja era. Over a century after its debut, it remains a cornerstone of traditional tango performance.

			== Origins and Dedication ==
	The composition was created by [[TITAF-P-7213358\|Anselmo Rosendo Mendizábal]], who signed his early works as “A. Rosendo.” In 1897, Mendizábal was playing piano to entertain guests at the home of [[TITAF-P-2897062\|María Rangolla]], a well-known dancer and madama nicknamed "La Vasca." These gatherings were often held in modest social environments where musicians relied more on generous tips than on formal salaries. To encourage patronage, it was common to dedicate compositions to wealthy attendees.		The composition was created by [[TITAF-P-7213358\|Anselmo Rosendo Mendizábal]], who signed his early works as “A. Rosendo.” In 1897, Mendizábal was playing piano to entertain guests at the home of [[TITAF-P-2897062\|María Rangolla]], a well-known dancer and madama nicknamed "La Vasca." These gatherings were often held in modest social environments where musicians relied more on generous tips than on formal salaries. To encourage patronage, it was common to dedicate compositions to wealthy attendees.

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	When the sheet music was published, it proudly bore the dedication: "Al Sr. Ricardo Segovia." Segovia, reportedly pleased, gifted Mendizábal 100 pesos — a substantial sum at the time.		When the sheet music was published, it proudly bore the dedication: "Al Sr. Ricardo Segovia." Segovia, reportedly pleased, gifted Mendizábal 100 pesos — a substantial sum at the time.

	Years later, ''El entrerriano'' also attracted interest from lyricists. [[TITAF-P-9317135\|Ángel Villoldo]] was the first to add lyrics, tailoring them for the actress and singer [[Pepita Avellaneda]]. Subsequent versions featured new lyrics by various authors, including		== Lyric Versions ==
			Years later, ''El entrerriano'' also attracted interest from lyricists. [[TITAF-P-9317135\|Ángel Villoldo]] was the first to add lyrics, tailoring them for the actress and singer [[TITAF-P-5057985\|Pepita Avellaneda]]. Subsequent versions featured new lyrics by various authors, including:
	~~• [[TITAF-P-9627974\|Alberto Semino]] and [[S. Retondaro]]~~

	~~• [[TITAF-P-3027271\|Vicente Planells del Campo]] and [[TITAF-P-9155162\|Oscar Amor]]~~

	~~• [[TITAF-P-7227770\|Julián Porteño]], and, most notably~~

	~~• [[TITAF-P-1893332\|Homero Expósito]].~~

			• [[TITAF-P-9627974\|Alberto Semino]] and S. Retondaro
			• [[TITAF-P-3027271\|Vicente Planells del Campo]] and [[TITAF-P-9155162\|Oscar Amor]]
			• [[TITAF-P-7227770\|Julián Porteño]], and, most notably
			• [[TITAF-P-1893332\|Homero Expósito]]

	The latter’s version is widely regarded as the finest lyrical adaptation of the piece.		The latter’s version is widely regarded as the finest lyrical adaptation of the piece.

			== Legacy ==
	''El entrerriano'' not only marks a milestone in tango’s structural evolution but also illustrates the social fabric and artistic improvisation of Buenos Aires at the turn of the 20th century. It remains a beloved standard, interpreted by countless orchestras and musicians over the decades.		''El entrerriano'' not only marks a milestone in tango’s structural evolution but also illustrates the social fabric and artistic improvisation of Buenos Aires at the turn of the 20th century. It remains a beloved standard, interpreted by countless orchestras and musicians over the decades.

			== Source ==
	''This article is based on the chronicle “El entrerriano – Historia de 'El entrerriano' y sus principales grabaciones” published on [https://www.todotango.com/historias/cronica/380/El-entrerriano-Historia-de-El-entrerriano-y-sus-principales-grabaciones/ TodoTango.com].''		''This article is based on the chronicle “El entrerriano – Historia de 'El entrerriano' y sus principales grabaciones” published on [https://www.todotango.com/historias/cronica/380/El-entrerriano-Historia-de-El-entrerriano-y-sus-principales-grabaciones/ TodoTango.com].''
	\|CompositionYear=1897		\|CompositionYear=1897
	}}		}}
	[[Category:Tune]]<noinclude>{{DISPLAYTITLE:El entrerriano}}</noinclude>		[[Category:Tune]]<noinclude>{{DISPLAYTITLE:El entrerriano}}</noinclude>

Donxello at 11:05, 21 June 2025

2025-06-21T11:05:19Z

@@ Line 1: / Line 1: @@
 {{Tune
 |TuneName=El entrerriano
-|Composer=TITAF-P-7213358
+|Composer=Rosendo Mendizábal (TITAF-P-7213358)
 |Genre=Tango
 }}
 [[Category:Tune]]<noinclude>{{DISPLAYTITLE:El entrerriano}}</noinclude>

← Older revision		Revision as of 11:07, 21 June 2025
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	Years later, ''El entrerriano'' also attracted interest from lyricists. [[TITAF-P-9317135\|Ángel Villoldo]] was the first to add lyrics, tailoring them for the actress and singer [[TITAF-P-5057985\|Pepita Avellaneda]]. Subsequent versions featured new lyrics by various authors, including:		Years later, ''El entrerriano'' also attracted interest from lyricists. [[TITAF-P-9317135\|Ángel Villoldo]] was the first to add lyrics, tailoring them for the actress and singer [[TITAF-P-5057985\|Pepita Avellaneda]]. Subsequent versions featured new lyrics by various authors, including:

	• [[TITAF-P-9627974\|Alberto Semino]] and S. Retondaro		• [[TITAF-P-9627974\|Alberto Semino]] and [[S. Retondaro]]

	• [[TITAF-P-3027271\|Vicente Planells del Campo]] and [[TITAF-P-9155162\|Oscar Amor]]		• [[TITAF-P-3027271\|Vicente Planells del Campo]] and [[TITAF-P-9155162\|Oscar Amor]]