TITAF-P-9158767: Difference between revisions
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|birthPlaceCountryLabel=Argentina | |birthPlaceCountryLabel=Argentina | ||
|citizenshipLabel=Argentina | |citizenshipLabel=Argentina | ||
|siblingsLabel=TITAF-P-1000957 | |||
|Todotango_links=https://www.todotango.com/creadores/ficha/22/Pedro-Laurenz | |Todotango_links=https://www.todotango.com/creadores/ficha/22/Pedro-Laurenz | ||
|PersonFreeText=Pedro Laurenz was a pivotal figure in the world of Argentine tango, primarily renowned as a bandoneonist and composer. His role as an orchestra conductor, while less prominent, should not be underestimated. Laurenz was a bandoneon player of exceptional technique, displaying equal mastery of both hands (treble and bass), producing a bright sound, energetic touch, and passionate phrasing. He founded a school of bandoneon execution with his distinct style. | |PersonFreeText=Pedro Laurenz was a pivotal figure in the world of Argentine tango, primarily renowned as a bandoneonist and composer. His role as an orchestra conductor, while less prominent, should not be underestimated. Laurenz was a bandoneon player of exceptional technique, displaying equal mastery of both hands (treble and bass), producing a bright sound, energetic touch, and passionate phrasing. He founded a school of bandoneon execution with his distinct style. | ||
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In 1925, he joined Julio De Caro's sextet, marking a significant turning point in his career. Laurenz's collaboration with the revered Pedro Maffia resulted in legendary recordings. In 1934, he established his own orchestra, bringing innovation to tango instrumentals. His rendition of "Arrabal" in 1937 is considered a turning point in the golden era of tango. | In 1925, he joined Julio De Caro's sextet, marking a significant turning point in his career. Laurenz's collaboration with the revered Pedro Maffia resulted in legendary recordings. In 1934, he established his own orchestra, bringing innovation to tango instrumentals. His rendition of "Arrabal" in 1937 is considered a turning point in the golden era of tango. | ||
Laurenz recorded for various labels throughout his career, with his most iconic compositions including | Laurenz recorded for various labels throughout his career, with his most iconic compositions including [[TITAF-T-0014024|Mala junta]], [[TITAF-T-0024213|Amurado]], [[TITAF-T-0008284|Risa loca]], and [[TITAF-T-0000724|La revancha]]. He was also part of the renowned Quinteto Real, which aimed to revitalize tango with rhythmic innovations. His contribution as a composer remains a significant part of tango's rich heritage. | ||
}} | }} | ||
[[Category:TangoPeople]] | [[Category:TangoPeople]] | ||
<noinclude>{{DISPLAYTITLE:Pedro Laurenz}}</noinclude> | <noinclude>{{DISPLAYTITLE:Pedro Laurenz}}</noinclude> | ||
Latest revision as of 08:05, 16 May 2025
Real name Pedro Blanco Acosta
Life 10 October 1902 – 7 July 1972
Occupation
-
• bandoneonist
• conductor
• composer
Instrument
-
• bandoneon
Place of birth Buenos Aires, Buenos Aires
Country of birth Argentina
Citizenship
-
• Argentina
Siblings
TodoTango: Link
Pedro Laurenz was a pivotal figure in the world of Argentine tango, primarily renowned as a bandoneonist and composer. His role as an orchestra conductor, while less prominent, should not be underestimated. Laurenz was a bandoneon player of exceptional technique, displaying equal mastery of both hands (treble and bass), producing a bright sound, energetic touch, and passionate phrasing. He founded a school of bandoneon execution with his distinct style.
Born in Buenos Aires during the early 20th century, he spent his childhood in the culturally diverse neighborhood of Villa Crespo, where native "compadritos" and "malevos" coexisted with immigrants from Spain, Italy, Jewish, Arab, and Turkish communities. This vibrant backdrop influenced his music.
As a child, Laurenz initially studied the violin but switched to the bandoneon in Montevideo, guided by his older brothers Félix and Eustaquio. He gained recognition playing with Luis Casanovas' orchestra and later Eduardo Arolas' ensemble, performing at the Moulin Rouge cabaret.
In 1925, he joined Julio De Caro's sextet, marking a significant turning point in his career. Laurenz's collaboration with the revered Pedro Maffia resulted in legendary recordings. In 1934, he established his own orchestra, bringing innovation to tango instrumentals. His rendition of "Arrabal" in 1937 is considered a turning point in the golden era of tango.
Laurenz recorded for various labels throughout his career, with his most iconic compositions including Mala junta, Amurado, Risa loca, and La revancha. He was also part of the renowned Quinteto Real, which aimed to revitalize tango with rhythmic innovations. His contribution as a composer remains a significant part of tango's rich heritage.
Orchestras
No known group memberships.
Recordings
No recordings found.