Limiter: Difference between revisions

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Created page with "= Limiter = Category:Audio Basics A '''limiter''' is a special type of compressor designed to prevent audio from exceeding a certain maximum level. It is typically used to avoid distortion or clipping. == How It Works == A limiter operates like a compressor but with a very high ratio (typically ∞:1). That means once the signal hits the threshold, it cannot go any higher, regardless of how strong the input is. == Key Parameters == ; '''Threshold''' : The level w..."
 
 
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== Limiter vs. Compressor ==
== Limiter vs. Compressor ==
| Feature         | Compressor     | Limiter         |
{| class="wikitable"
|----------------|----------------|-----------------|
! Feature
| Ratio           | Variable (e.g., 2:1, 4:1) | Very high (e.g., ∞:1) |
! Compressor
| Function       | Controls dynamics | Hard ceiling |
! Limiter
| Use             | General control | Peak protection |
|-
| Ratio
| Variable (e.g., 2:1, 4:1)
| Very high (e.g., ∞:1)
|-
| Function
| Controls dynamics
| Hard ceiling
|-
| Use
| General control
| Peak protection
|}


== See also ==
== See also ==
* [[Compressor]]
* [[Compressor]]
* [[Multiband Compressor]]
* [[Multiband Compressor]]

Latest revision as of 04:55, 15 May 2025

Limiter

A limiter is a special type of compressor designed to prevent audio from exceeding a certain maximum level. It is typically used to avoid distortion or clipping.

How It Works

A limiter operates like a compressor but with a very high ratio (typically ∞:1). That means once the signal hits the threshold, it cannot go any higher, regardless of how strong the input is.

Key Parameters

Threshold
The level where limiting begins.
Attack
How quickly limiting engages after the threshold is exceeded. Often extremely fast (1–10 ms or less).
Release
How quickly limiting disengages after the signal drops below the threshold.
Margin / Output Ceiling
Maximum output level allowed (e.g., -0.1 dB to avoid inter-sample peaks).

Use Cases

  • Preventing clipping in mastering
  • Controlling final peaks in a mix
  • Broadcast and podcast audio normalization
  • Live sound safety limit

Limiter vs. Compressor

Feature Compressor Limiter
Ratio Variable (e.g., 2:1, 4:1) Very high (e.g., ∞:1)
Function Controls dynamics Hard ceiling
Use General control Peak protection

See also