Property:GenreDesc
From TANGOWIKI-TITAF
R
Recitado cómico is a humorous spoken-word performance, often rhymed and accompanied by music. It blends theatrical monologue with comedic storytelling. +
A regional variant of the refalosa folk dance from San Luis Province, sometimes adapted in early tango repertoire. +
Rezo gaucho is a poetic or musical prayer in the gaucho tradition. It conveys rural spirituality and devotion. +
A sentimental and melodic song form rooted in the spirit of Buenos Aires, often featuring romantic or nostalgic themes and performed in a tango-influenced style. +
Rumba is a Cuban-origin genre and dance with Afro-Caribbean rhythms and expressive movements. It is known for its sensuality and rhythmic complexity. +
Rumba bolero is a blend of rumba rhythm with the romantic and melodic style of bolero. It softens rumba's percussion with lyrical content. +
A dance music hybrid combining the rhythmic flavor of Cuban rumba with the smooth phrasing of foxtrot, popular in mid-20th century Latin orchestral and salon music. +
S
Samba is a lively Afro-Brazilian dance and music genre in 2/4 time. It is central to Brazilian carnival and cultural identity. +
A popular Brazilian genre known for its syncopated rhythms, percussion-driven arrangements, and vibrant dance forms; occasionally adapted in tango-era recordings with Latin jazz and orchestral influences. +
A lyrical and melodic musical form traditionally performed at night to express romantic feelings, sometimes adapted into tango and popular Latin genres. +
Shimmy is a jazz-age dance characterized by rapid shoulder shaking. It was popularized in the 1920s and is associated with early jazz music. +
A vocal adaptation of the shimmy dance style, combining syncopated jazz rhythms with lyrical or humorous verses; often used in theatrical or varieté tango recordings of the 1920s and 1930s. +
A humorous or theatrical variation of the shimmy rhythm, incorporating the sound or imitation of a "serrucho" (handsaw) as a novelty effect, often used in early jazz-influenced tango recordings of the 1920s–30s. +
Shotis is a variant spelling of schottische or chotis, a dance of European origin. It features simple steps and is often performed in duple time. +
A smooth, elegant variation of the foxtrot characterized by a slow tempo and flowing movement, often adapted into tango and ballroom arrangements in the early 20th century. +
Sobrepaso is a stylized dance or musical form emphasizing elegant, gliding movements. It is less about rhythm and more about expressive flow. +
A multi-movement orchestral composition that integrates tango themes or motifs into a classical symphonic structure, often used in concert performances or cinematic works. +
A style of jazz music and dance popular in the 1930s–1940s, characterized by strong rhythm and syncopation; occasionally fused with tango or foxtrot elements in early popular recordings. +
T
Tango is a passionate Argentine music and dance genre with dramatic rhythm and expressive phrasing. It evolved in Buenos Aires in the late 19th century. +
Tango balada is a tango adapted into a slower, more lyrical ballad form. It emphasizes melody and emotional depth. +