Modal Scale Comparison
From TANGOWIKI-TITAF
Modal Scale Comparison
This table compares all seven modal scales based on their interval structure and tonal character.
| Mode | Definition | Interval Pattern | Equivalent to |
|---|---|---|---|
| Aeolian | Aeolian is the modal name for the natural minor scale, based on the sixth degree of the diatonic scale, known for its melancholic tone. | W–H–W–W–H–W–W | Natural Minor Scale |
| Dorian | Dorian is a modal scale based on the second degree of the diatonic scale, similar to the natural minor but with a raised 6th. | W–H–W–W–W–H–W | |
| Ionian | Ionian is the modal name for the major scale, starting on the first degree of the diatonic scale with a bright and stable character. | W–W–H–W–W–W–H | Major Scale |
| Locrian | Locrian is a mode based on the seventh degree of the diatonic scale, with a diminished fifth, making it the darkest and most unstable of the modes. | H–W–W–H–W–W–W | |
| Lydian | Lydian is a major-mode variant based on the fourth degree of the diatonic scale, with a raised 4th that gives it a bright, open quality. | W–W–W–H–W–W–H | |
| Mixolydian | Mixolydian is a modal scale based on the fifth degree of the diatonic scale, similar to the major scale but with a lowered 7th. | W–W–H–W–W–H–W | |
| Phrygian | Phrygian is a modal scale based on the third degree of the diatonic scale, characterized by its lowered 2nd, giving it a dark, Spanish-like flavor. | H–W–W–W–H–W–W |