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List of results

Rosa en pena + (Originally, it was a ''vals'' with lyrics … Originally, it was a ''vals'' with lyrics by '''Martínez Payva''' and music by '''Graciano De Leone''',recorded by [[TITAF-P-7231388|Dorita Davis]] on the BAVE label (No. 60.978-1).Later, the lyrics were preserved, but the title was changed to '''''Alma en pena''''' and the music was replaced by a new composition by [[TITAF-P-8299828|Abel Fleury]].It was transformed into a ''canción criolla'' and later recorded by [[TITAF-P-2382547|Edmundo Rivero]] and [[TITAF-P-6385540|Nelly Omar]].A radio take by [[TITAF-P-5199348|Néstor Feria]] from the mid-1930s has also been preserved.rom the mid-1930s has also been preserved.)
Milonga del interior + (Performed by [[TITAF-P-6520624|Donato Racciatti]], composer/author not found)
Ciribiribin + (Popular Piedmontese song)
Irupe + (Possible full names - [[TITAF-P-9716089]], [[TITAF-P-2824329]])
Hace un año + (Ranchera)
Hechizo + (Remark from [[Carlos Puente]] … Remark from [[Carlos Puente]]Beautiful tango by Discépolo for which no commercial recordings are known to exist. Later, using the same music, the piece "Andrajos" was created in 1961 with lyrics completed by Alberto Laureano Martínez — this version was recorded by several performers at the time.== Media =='"`UNIQ--youtube-000000C6-QINU`"'Media == '"`UNIQ--youtube-000000C6-QINU`"')
Tango á Cordes + (See [[TITAF-P-1001924|Lydie Auvray]] and [https://www.discogs.com/release/2679515-Lydie-Auvray-Triangle here])
Tango des amants + (See [[TITAF-P-1001924|Lydie Auvray]] and [https://www.discogs.com/release/11733177-Lydie-Auvray-Tango-Toujours here])
Tango Taquin + (See [[TITAF-P-1001924|Lydie Auvray]] and [https://www.discogs.com/release/11733177-Lydie-Auvray-Tango-Toujours here])
Tango Normand + (See [[TITAF-P-1001924|Lydie Auvray]] and [https://www.discogs.com/release/11733177-Lydie-Auvray-Tango-Toujours here])
Tango Terrible + (See [[TITAF-P-1001924|Lydie Auvray]] and [https://www.discogs.com/release/11733177-Lydie-Auvray-Tango-Toujours here])
Severino + (See [[TITAF-P-1002449|Severino Di Giovanni]])
Severino + (See [[TITAF-P-1002449|Severino Di Giovanni]])
A los amigos, La vi llegar + (See [[TITAF-T-0022151|A los amigos]] and [[TITAF-T-0005976|La vi llegar]])
Studjentotschka + (See also [[the Polish version|TITAF-T-0008941]])
Maldita noche + (Seems there is only one recording from Orquesta Ricardo Luis Brignolo)
Un violon dans la nuit + (Spanish version 'Un violón en la noche' with lyrics by [[TITAF-P-2064436|Mario Melfi]])
Crítica sexta + ([[File:Critica-sexta-partitura.jpg|Sheet music|thumbnail]])

Castle Innovation Tango + ([[File:Sheet-music-TITAF-T-0011353.jpg|Sheet music]])

El entrerriano + ([[File:TITAF-T-0005272-el-entrerriano-shee … [[File:TITAF-T-0005272-el-entrerriano-sheetmusic01.jpg|Sheet music|right]]''El entrerriano'' is one of the most enduring classics of the tango repertoire, credited with popularizing the three-part musical structure that became a defining trait of tango during the Guardia Vieja era. Over a century after its debut, it remains a cornerstone of traditional tango performance.== Origins and Dedication ==The composition was created by [[TITAF-P-7213358|Anselmo Rosendo Mendizábal]], who signed his early works as “A. Rosendo.” In 1897, Mendizábal was playing piano to entertain guests at the home of [[TITAF-P-2897062|María Rangolla]], a well-known dancer and madama nicknamed "La Vasca." These gatherings were often held in modest social environments where musicians relied more on generous tips than on formal salaries. To encourage patronage, it was common to dedicate compositions to wealthy attendees.Such was the case with ''El entrerriano'', first performed on October 25, 1897, at the home of [[TITAF-P-2897062|María Rangolla]] (''La Vasca''), where Mendizábal regularly played. The lively, canyengue rhythm of the piece immediately captivated the audience. According to legend, one of the dancers present, José Guidobono, was so mesmerized he momentarily stopped dancing and urged the composer to dedicate the tango to a prominent guest, Ricardo Segovia — a wealthy rancher from Entre Ríos. Mendizábal agreed, naming the piece “El entrerriano” (The Man from Entre Ríos) in Segovia’s honor.When the sheet music was published, it proudly bore the dedication: "Al Sr. Ricardo Segovia." Segovia, reportedly pleased, gifted Mendizábal 100 pesos — a substantial sum at the time.== Lyric Versions ==Years later, ''El entrerriano'' also attracted interest from lyricists. [[TITAF-P-9317135|Ángel Villoldo]] was the first to add lyrics, tailoring them for the actress and singer [[TITAF-P-5057985|Pepita Avellaneda]]. Subsequent versions featured new lyrics by various authors, including:• [[TITAF-P-9627974|Alberto Semino]] and [[S. Retondaro]]• [[TITAF-P-3027271|Vicente Planells del Campo]] and [[TITAF-P-9155162|Oscar Amor]] • [[TITAF-P-7227770|Julián Porteño]], and, most notably • [[TITAF-P-1893332|Homero Expósito]] The latter’s version is widely regarded as the finest lyrical adaptation of the piece.== Legacy ==''El entrerriano'' not only marks a milestone in tango’s structural evolution but also illustrates the social fabric and artistic improvisation of Buenos Aires at the turn of the 20th century. It remains a beloved standard, interpreted by countless orchestras and musicians over the decades.== Source ==''This article is based on the chronicle “El entrerriano – Historia de 'El entrerriano' y sus principales grabaciones” published on [https://www.todotango.com/historias/cronica/380/El-entrerriano-Historia-de-El-entrerriano-y-sus-principales-grabaciones/ TodoTango.com].''principales-grabaciones/ TodoTango.com].'')
Recordando serenatas + ([[File:TITAF-T-0013417-partitura-recordando-serenatas.jpg Sheet music]])
Reina maleva + ([[File:TITAF-T-0013432-shellac-fresedo-reinamaleva.jpg]] Clearly says [[TITAF-P-1002412|Chela Cordero]], who was a famous Argentine actress.)
Alma y corazón + ([[File:TITAF-T-0629554-front-partitura.jpg|thumb|Partitura]])
Kto Ty? + ([[TITAF-P-6702484]])
Igraj, Tsygan + ([[TITAF-P-6702484]])
Las mimosas: Pasodoble verbenero + ([https://bdh.bne.es/bnesearch/PlayList.do?showYearItems=&field=autor&advanced=&exact=&textH=&completeText=&text=%22Mu%c3%b1oz+y&pageSizeAbrv=30&pageNumber=96&pageSize=1&language=es More Info!])
Las mimosas: Schotis de las diputadas + ([https://bdh.bne.es/bnesearch/PlayList.do?showYearItems=&field=autor&advanced=&exact=&textH=&completeText=&text=%22Mu%c3%b1oz+y&pageSizeAbrv=30&pageNumber=96&pageSize=1&language=es More Info!])
Un voyage avec toi + ([https://catalogue.bnf.fr/ark:/12148/cb137928110 More Info])
O sole mio + ([https://en.wikipedia.org/wiki/%27O_sole_mio More Info])
Les yeux noirs + ([https://en.wikipedia.org/wiki/Dark_Eyes_(Russian_song) More info!])
Chcę o tobie zapomnieć + ([https://staremelodie.pl/piosenka/1364/Chce_o_tobie_zapomniec More info])
Jeden kwiat + ([https://staremelodie.pl/piosenka/1479/Jeden_kwiat More Info])
Nadia + ([https://staremelodie.pl/piosenka/1858/Nadia More Info])
Blask czarnych oczu twych + ([https://staremelodie.pl/piosenka/2023/Blask_czarnych_oczu_twych More info])
Miss Violette + ([https://staremelodie.pl/piosenka/2125/Miss_Violette More Info])
Dziewczę z Neapolu + ([https://staremelodie.pl/piosenka/2519/Dziewcz%C4%99%20z%20Neapolu More Info])
I cóż zostało mi + ([https://staremelodie.pl/piosenka/668/I_coz_zostalo_mi More Info])
I znów + ([https://staremelodie.pl/piosenka/939/I_znow More Info])
Możesz mnie kochać lub nie + ([https://www.bibliotekapiosenki.pl/publikacje/Mildi_Mozesz_mnie_kochac_lub_nie_tango More Info])
Salón 25 + ([https://www.discogs.com/artist/4090840-Los-Tubatango More Info])
Yalandir Sözlerin + ([https://www.discogs.com/master/1088587-%C4%B0brahim-%C3%96zg%C3%BCr-Tangolar More Info])
Vino amargo + ([https://www.discogs.com/master/1217639-Rafael-Farina-Vino-Amargo More Info])
E vui durmite ancora + ([https://www.discogs.com/master/1368220-The-Tango-Project-Two-To-Tango-The-Tango-Project-II More Info])
Tango Apocalypso + ([https://www.discogs.com/master/1502349-Boris-Kova%C4%8D-LaDaABa-Orchest-The-Last-Balkan-Tango-An-Apocalyptic-Dance-Party More Info])